A Quote by J. D. Salinger

It's funny. All you have to do is say something nobody understands and they'll do practically anything you want them to. — © J. D. Salinger
It's funny. All you have to do is say something nobody understands and they'll do practically anything you want them to.
Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.
Fine. Whatever. I don’t. Nobody understands your pain, Mae. Because it is so unique! Nobody’s ever loved something so much they would do anything to save it, except for you, Mae. You cornered that market!
You know what your trouble is? You're the kind who always reads the handbook. Anything people build, any kind of technology, it's going to have some specific purpose. It's for doing something that somebody already understands. But if it's new technology, it'll open areas nobody's ever thought of before. You read the manual, man, and you won't play around with it, not the same way. And you get all funny when somebody else uses it to do something you never thought of.
All the books on my shelves, when I would go to them to look for help with my anguish, they all just seemed so crass. They didn't get it. Those books don't understand. Nobody understands. The universe, nobody understands my agony, or my questioning, and it's this shift in what in the world around us could possibly be meaningful or helpful.
I want everything we do to be beautiful. I don't give a damn whether the client understands that that's worth anything, or that the client thinks it's worth anything, or whether it is worth anything. It's worth it to me. It's the way I want to live my life. I want to make beautiful things, even if nobody cares.
I don't like the five-person group dynamic. I just never have. It doesn't make sense to me that six people would just sit in a circle and say, 'Now I want approval,' 'Now I want approval,' 'Now I want approval.' 'I have something funny to say,' 'No, I have something funny to say, me!' It's hard to make plans.
I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.
It’s amazing how lonely you can feel and like nobody understands…The moment you are vulnerable, someone always reaches out….They go through the same things. I want them to feel comfortable knowing that I have flaws as wells. I want them to know those flaws. I’m afraid of the pedestal…I want to be a peer to my fans
You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
What people really want is not to make something funny, but to make something amusing - which, in many ways, is the opposite of funny. To amuse someone is to eliminate discomfort and awkwardness, kind of like a massage for the brain, while to be funny is to point out awkwardness and discomfort. Everyone thinks they want funny, but they really want amusement.
I think that the inventors can do anything they want, and nobody can say anything otherwise.
They [candidates] say, "I don't want to say anything controversial." And so nobody covers them. Then they blame the journalists, saying "Why don't they write down what I said?" In congressional races, 90 percent of the time the answer is, "Because you are boring and you don't have anything that makes me interested in listening to you. Why the heck should somebody write it down? There's nothing here worth hearing."
The early church was strikingly different from the culture around it in this way - the pagan society was stingy with its money and promiscuous with its body. A pagan gave nobody their money and practically gave everybody their body. And the Christians came along and gave practically nobody their body and they gave practically everybody their money.
One may say that evil does not exist for subjective man at all, that there exist only different conceptions of good. Nobody ever does anything deliberately in the interests of evil, for the sake of evil. Everybody acts in the interests of good, as he understands it. But everybody understands it in a different way. Consequently men drown, slay, and kill one another in the interests of good.
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