A Quote by J. D. Souther

Mike Campbell and Don Henley and I wrote 'The Heart of the Matter,' which was a huge hit for Don. — © J. D. Souther
Mike Campbell and Don Henley and I wrote 'The Heart of the Matter,' which was a huge hit for Don.
The records in the house I really remember were, well, Glen Campbell's 'Wichita Lineman' and 'Galveston.' Even as a kid, I knew these songs were glorious. My dad also had records by Merle Haggard, Charley Pride, Waylon Jennings, and then there was also the Eagles and Don Henley. Anything Texas, which includes Don Henley, was big.
My dad, Billy Ray, he had a huge hit in the '90s with 'Achy Breaky Heart.' And, you know, as a kid I always said I wanted to be just like my dad. And it's crazy - just be careful what you wish for because I had the same thing he had, which was a huge hit off his first album.
I wrote the original Mike Hammer as a comic, Mike Danger.
I think Mike Gibbons was probably the greatest boxer that ever put a glove on. They called him The Wizard, The Phantom of the ring and he was that. I boxed with Mike about ten years and I never really hit him a hard punch during the time. Repeating again, Mike was one of the great boxers of the age.
Dixie Chicks surprised me with a beautiful three-part harmony version of 'I'll Take Care of You.' And Don Henley's performance of 'The Heart of the Matter' still just slays me every time I hear it.
When 'I'm Sorry' came out and became such a huge hit, that made 'Rockin' Around The Christmas Tree' start selling. Then that became a huge, huge hit.
I was a huge Mike Tyson fan, would sit through the night watching boxing matches and would hit the bag at every opportunity I would get.
In the beginning of 'Jersey Shore,' for sure, that was the real Mike. That's the Mike that I know, that's the Mike I love. And that's the Mike I strive to be every day.
Colin Campbell should be thanking me for raising his profile. I'm the only one who's put the Colin Campbell name on the map. Who has even heard of Lord Colin Campbell?
I wish I wrote songs like Donald Fagen, Walter Becker, Don Henley, Marvin Gaye, Michael Jackson, so many of the songwriters I admire. They have the ability to say things.
I'm playing 10 feet from Mike Campbell every night. I look across the stage, there's Howie. Tom's in the middle and we're playing all this stuff I love. It's great.
Earnie hit me harder than any other fighter, including Mike Tyson. He hit me and I was face down on the canvas hearing saxophonist Jimmy Tillis.
When I wrote my first album, I was reading Joseph Campbell - he's this philosopher who writes about mythology. That inspired the title, 'No Mythologies to Follow.'
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
As Mike Tyson says, everybody has a plan until they get hit in the mouth. The one thing we know about American presidential politics is you're going to get hit in the mouth.
I'm starting on Cirque du Soleil Michael Jackson show. So it's the equivalent of the Beatles' Love show they have, or the Elvis show. Which is exciting and terrifying all at the same time because it's such a huge responsibility. But that's why I took it on, because Mike was such a huge part of my career and life. we were friends for 20 years before he passed, since I was seven. So it's an opportunity for me to give back a little bit to his legacy.
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