A Quote by J. D. Vance

I never wanted to be a public intellectual or a talking head. — © J. D. Vance
I never wanted to be a public intellectual or a talking head.
I won a Marshall scholarship to read philosophy at Oxford, and what I most wanted to do was strengthen public intellectual culture - I'd write books and essays to help us figure out who we wanted to be.
What is the role of a public intellectual in the age of Twitter and soundbites? Is it to share your thoughts for the public good, or is it to curate the heaps of hate emails, tweets, and right-wing articles that trash your intellectual and social work?
I can look back at different times in my life when I felt I could not find my way out of whatever it was. I'm not necessarily talking about marriage, but I wanted to pack it in. I wanted to disappear. A lot of that has to do with being in the public eye.
Manet did not do the expected. He was a pioneer. He followed his individual whim. Told the public what he wanted it to know, not the time worn things the public already knew and thought it wanted to hear again. The public was very much offended.
It's head and heart. I like to feed both. I always wanted to be an actor. But the cultural-intellectual side of things has always excited me. I wouldn't want to let it go.
I don't know how much influence we really had, because we never put our pictures on the albums or anything and we never really promoted the Talking Heads connection, because we wanted to keep it separate from Talking Heads.
I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give ‘em what they never knew they wanted.
Never demean yourself by talking back to a critic, never. Write those letters to the editor in your head, but don't put them on paper.
I've held a lot of pity parties for myself. There was a time when I never wanted to face the public again. I never wanted to face the press again. But God gave me healing gifts.
I've always wanted to shave my head for a role because I've wanted to play a character who had a shaved head. I don't know what the fascination is.
I floated around in the department of biochemistry and learned some interesting things, and then I began to... I never wanted to work with a mentor because I always wanted to have my own reputation and be free to do what I wanted to do. So I worked with the weakest people in the department. Don't make that public.
When I went to Los Angeles right after high school, I got some acting jobs, and I never, ever wanted to be an actress! Public speaking and acting make me want to vomit. But I have never been nervous singing. When it comes to public speaking, I stumble on my words, sweat, and pull at my clothes.
I've never wanted to get adjusted to my income, because I knew I wanted to go back to public service. And in comparison to what my mother earns and how I was raised, it's not modest at all. I have no right to complain.
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
I never wanted to be a public speaker.
I never wanted this... to be in the public eye.
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