A Quote by J. Frank Dobie
The man for whom history is bunk is almost invariably as obtuse to the future as he is blind to the past.
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I am the One, and I see all. But the blind man in Apartment 1-A is blind in many ways, as are all human beings, even those with functioning eyes. They are blind to their folly, to their ignorance, to their history, to the future that they will make for themselves. A future born of self-loathing.
Americans' lack of passion for history is well known. History may not quite be bunk, as Henry Ford suggested, but there's no denying that, as a people, we sustain a passionate concentration on the present and the future.
To make of human affairs a coherent, precise, predictable whole one must ignore or suppress man as he really is. It is by eliminating man from their equation that the makers of history can predict the future, and the writers of history can give a pattern to the past.
I did not say history was bunk. It was bunk to me . . I did not need it very bad.
A man who denies his past is a man who truly denies himself a future, for he refuses to know himself, and to deny knowledge of oneself is to stumble through life as handicapped as the blind mute.
It is true that I do not wear shoes as the host of 'Bunk.' I want 'Bunk' to feel like there's a slight possibility that a confident homeless man just wondered into the studio and started hosting a game show.
A feeling for history is almost an essential for writing and appreciating good science fiction, for sensing the connections between the past and future that run through our present.
Maybe Rachel was right all along. Maybe the past is past, history is history, and you just push it aside and look for the future.
I don’t know much about history, and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk. It's tradition. We don't want tradition. We want to live in the present and the only history that is worth a tinker's damn is the history we make today.
What is history? An echo of the past in the future; a reflex from the future on the past.
The human condition can almost be summed up in the observation that, whereas all experiences are of the past, all decisions are about the future. It is the great task of human knowledge to bridge this gap and to find those patterns in the past which can be projected into the future as realistic images.
Since we do not take a man on his past history, we do not refuse him because of his past history. I never met a man who was thoroughly bad. There is always some good in him if he gets a chance.
Past is deaf. Future is mute. Present is blind.
Jonathan Meese is not interested in the history of reality. Everything radical and precisely graphic is sustainable. Human ideologies like religions and politics are based on the past and therefore irrelevant to art. Art always transforms radicalism of the past into the future. Art is always the total time machine. Jonathan Meese is interested in the history of the future. Art is never nostalgic.
Marriage is an effort to legalize love. It is out of fear. It is thinking about the future, about the tomorrows. Man always thinks of the past and the future, and because of this constant thinking about past and future, he destroys the present. And the present is the only reality there is. One has to live in the present. The past has to die and has to be allowed to die.
The historian is looked upon as objective when he measures the past by the popular opinions of his own time, as subjective when he does not take these opinions for models. That man is thought best fitted to depict a period of the past, who is not in the least affected by that period. But only he who has a share in building up the future can grasp what the past has been, and only when transformed into a work of art can history arouse or even sustain instincts.
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