A Quote by J. G. Ballard
People, particularly over-moralistic Americans, have often seen me as a pessimist and humourless to boot, yet I think I have an almost maniacal sense of humour. The problem is that it's rather deadpan.
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You hear people talking about a Scottish sense of humour, or a Glaswegian sense of humour, all sorts of countries and cities think that they've got this thing that they're funny. I read about the Liverpudlian sense of humour and I was like, 'Aye? What's that then?' You get that and you especially hear about a dark Glaswegian sense of humour.
Where I come from people are very deadpan with a dry humour that I suppose rubbed off on me.
Common sense and a sense of humour are the same thing, moving at different speeds. A sense of humour is just common sense, dancing. Those who lack humour are without judgment and should be trusted with nothing.
A man of knowing attains to a sense of humour. Let this always be remembered. If you see someone who has no sense of humour, know well that that man has not known at all. If you come across a serious man, then you can be certain that he is a pretender. Knowing brings sincerity but all seriousness disappears. Knowing brings a playfulness; knowing brings a sense of humour. The sense of humour is a must.
The interesting thing is that you don't often meet a poet who doesn't have a sense of humour, and some of them do keep it out of their poems because they're afraid of being seen as light versifiers.
I've got a sick sense of humour, a dark sense of humour. I do care about things and care about people but there's another side to me.
People still talk about a British sense of humour, or French slapstick or how the Germans have no sense of humour - and it's just rubbish. I do strongly feel that we are all the bloody same.
Garrison Keillor's 'Lake Wobegon' books create a world I can immerse myself in over and over. I love the deadpan humour, the warmth, and the wonderful characters in The Sidetrack Tap. I discovered them when I was about 30, starting with 'Leaving Home' and 'We Are Still Married,' and fell in love with the place and those flat Midwestern vowels.
Do you think you could put that boot back on?" he added mildly. "The window can only let in a limited ammount of fresh air and your socks are a tough ripe, to put it mildly." Oh, sorry!" said Horace, tugging the riding boot back on over his sock. Now that Halt mentioned it, he was aware of a rather strong odor in the room.
I think what drives me is a sense of, well, who is going to do it if you don't do it? I think that one of the things that we've seen over time, especially with progressive social movements, is most of them - it's surprising to people - are sort of driven by that.
Many times when I stop working on a problem consciously, my mind continues to work on it below the surface. Often solutions come on me quite by surprise. I've learned over time to allow that to happen, rather than to feel that I can simply solve the problem by continuous, grueling effort.
I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
British people have a really sophisticated sense of humour, because we're exposed to much more than Europeans and Americans, not least in our literary heritage.
The British have turned their sense of humour into a national virtue. It is odd, because through much of history, humour has been considered cheap, and laughter something for the lower orders. But British aristocrats didn't care a damn about what people thought of them, so they made humour acceptable.
The English take everything with an exquisite sense of humour. They are only offended if you tell them that they have no sense of humour.
I think optimism and humour are key words for me to make the films accessible, which means they can really travel and be seen by as many people as possible.
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