A Quote by J. G. Ballard
Pop artists deal with the lowly trivia of possessions and equipment that the present generation is lugging along with it on its safari into the future.
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The past is of no importance. The present is of no importance. It is with the future that we have to deal. For the past is what man should not have been. The present is what man ought not to be. The future is what artists are.
The past is of no importance. The present is of no importance. It is with the future that we have to deal. For the past is what man should not have been. The present is what man ought not to be. The future is what artists are.
The facts: nothing matters but the facts: worship of the facts leads to everything, to happiness first of all and then to wealth.
Revolt is designed to be a home for the next generation of musical artists, and we are investing in the artists and fans of the future. Revolt is for artists, by artists. This won't just be the P. Diddy network.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
One has to live in the present. Whatever is past is gone beyond recall; whatever is future remains beyond one's reach, until it becomes present. Remembering the past and giving thought to the future are important, but only to the extent that they help one deal with the present.
I love how pop culture shapes a generation. The trends, fashion and events all play a key part in how we live our present lives, and will mark how we will be remembered in the future.
I've been criticized by my generation, artists from the '70s - and there's nothing more tragic than artists from the '70s still doing art from the '70s - because I blur all these borders between fashion and pop.
Artists of my generation were not educated. We were not given the equipment because it was generally believed to be irrelevant.
The future is not a gift: it is an achievement. Every generation helps make its own future. This is the essential challenge of the present
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
But an opinion that it is possible for the present generation to seize and use the property of future generations has produced to both parties concerned, effects of the same complexion with the usual fruits of national errour. The present age is cajoled to tax and enslave itself, by the errour of believing that it taxes and enslaves future ages to enrich itself.
It is to be kept in mind that the generations of men do not wait for the convenience of the church in respect to their evangelization. Men are born and die whether or not Christians are ready to give them the Gospel. And hence, if the church of any generation does not evangelize the heathen of that generation, those heathen will never be evangelized at all. It is always true in the work of evangelization that the present can never anticipate the future, and that the future can never replace the past. What is to be done in soul saving must be done by that generation.
I don't want a future, I want a present. To me this appears of greater value. You have a future only when you have no present, and when you have a present, you forget to even think about the future.
I'd love to go on a safari - [I've] never been on a safari.
The future of this nation, with the present generation, You must admit is nothing but a joke
I realized sometime in the early '80s that if I didn't do something - like planning for the future in a way, a kind of pension or something - that if I didn't do something there and then, I was going to be condemned to forever present my three years as a pop star, condensed, as a stage act for the rest of my life. Because that's normally what happens to people in the pop business.
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