A Quote by J. G. Ballard
I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
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I've always said that L.A. is the city of America's future. It is to the world what London was in the 19th century and New York in the 20th because of the growth of the Pacific Rim countries. We're the portal to the emerging world.
I never really wondered about getting from London to Lahaul. It all seemed such a natural progression. In London I felt I was in the wrong place and wanted to leave. I'd thought about going to Australia or New Zealand. It's nothing against England, but I knew I wasn't meant to be there.
I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.
There's something rather wonderful about the fact that Oxford is a very small city that contains most of the cultural and metropolitan facilities you could want, in terms of bookshops, theatre, cinema, conversation. But it's near enough to London to get here in an hour, and it's near enough to huge open spaces without which I would go insane.
I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.
I was born in Oslo, Norway, but now live in the suburbs of Southwest London, right near the River Thames. It's a lovely part of the world.
Near the end, she [Marilyn Monroe] was badly treated by Fox Studios, during the 'Let's Make Love' film shoot in 1960, they threw her off the set because she had a cold.
What you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought.It is an awfully lonesome business, and, as you know, I never wanted you to go into it, but if you are going into it at all, I want you to go into it knowing the sort of things that took me years to learn.
In New England, I learned so much about football. I always thought I was a smart player, even though I never thought about anything but the six inches in front of my face. In New England, I was forced to learn so many schematic concepts.
I think we have to find somebody out there to beat New England besides us, and I think that would help. Anybody out there that wants to sign up for it? Are you good enough as a team to beat the New England Patriots? Forget about us, are you good enough to go out and beat the New England Patriots? I'm challenging the league.
As I started reading about it, I saw that at the beginning of the 19th century, outside of New England - which was an unusually literate place - practically no one could read or write. And even in New England, the overall rate was only about 60 percent. That still means four out of 10 people couldn't put their name to a will.
I came first to America in 1977 at the invitation of a man who wanted to make my life story into a musical. But my agent said it was not to be and it was never done. So I went back, but I'd seen New York, and I wanted to live there. Because everybody talks to you in the street. See, nobody talks to you in England.
I look at the calendar. If it's a nice place, I go, like I did in London when it came to choosing to do a film. I always choose the best locations. New Orleans. That's fun. I'm available. Let's go.
I feel like I can be infinitely inspired because New York is huge. There's always a new street I can go to, or a billion new people who I haven't met that I could write about. New York is very humbling.
I thought I was a pretty good writer, but I didn't have anything to write about. I wanted to go out in the world, have some adventures and then write about them.
I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.
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