Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
I suppose a good director is like a teacher. I think that someone like David Cronenberg was very much like a teacher, because there's an openness, but a certain set of rules of behavior, and a certain conduct expected. But there's an atmosphere that's relaxed and conducive to exploration, and that is created by someone like Cronenberg.
I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.
It was a very critical moment for me when I began working with David Cronenberg and seeing this amazing director and creator choose to base himself out of Toronto.
I think film is a director's medium and the good filmmakers that I like tell the darker stories. Therefore, I'm always inclined to follow people like David Cronenberg.
David Petraeus, the best known American general of his generation. After commanding the American war effort in both Iraq and Afghanistan, he was serving as CIA director when he stepped down suddenly following revelations that he`d had an extramarital affair. That same investigation that turned up evidence of the affair also eventually turned up evidence that General.
Petraeus had passed classified information to his mistress.
I would compare my 'Frankenstein' to Cronenberg's remake of 'The Fly.' The monster in the original Fifties version of 'The Fly' was a crude, anatomical combination of man and insect, whereas Cronenberg's version exploited knowledge of DNA to depict him as a transgenic chimera.
For me, the most exciting thing is that Jane Campion is a woman we can all really look up to. She doesn't have the body of work that some other directors do - no woman director does - but her work is so consistently original, wonderful, masterful.
David Cronenberg knows what we actors do as artists.
You can't compare David Cronenberg's 'The Fly' to the older version.
Michel Houellebecq is the most interesting, provocative and important European novelist of my generation. Period. No one else comes close. He has written two or maybe three great books, and his latest, The Map and the Territory, is one of them.
Gen. David Petraeus, commander of U.S. troops in Iraq, Afghanistan and at Centcom, is probably the most decorated officer of his generation.
I think that James Baldwin is, for sure, one of the most important American writer/thinkers of his time... not just African-American. He singled-handily revolutionized the political, artistic and historical discourses about America. He created his particular and original language.
If anyone is tweeting right now, I'm not pulling a knife on David Cronenberg!
Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.