A Quote by J Hus
I was feeling 'Lean & Bop' in the moment. It's brought me the most money. And when I'm doing shows, it goes off.
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'Cause it's jail, everyone thinks they're bad. So this one guy was like, 'What're you gonna do, 'Lean and Bop' for us?' I was cocky, I was like 'Oh yeah? It costs five racks to see me lean and bop, It costs five racks to see me lean and bop.' But deep down inside it was hurting. It's moments like that make me hate - I feel like I sold out.
[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.
After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
I got really sick of playing just, like, 'Bop-bop-bop-bada-bop-bop-bada-rapa-pah.' Just playing that 190-beats-per-minute punk-rock songs, I didn't feel it anymore. And I always loved melody - when you looked back on those early records, there's always a hook buried in there somewhere.
We not only grew up on Be-Bop; Be-Bop raised us. For my generation, Be-Bop came on like a light bulb going flash behind the eyes.For us, it was not only an intellectual movement, but a way of life. We walked, dressed, and rapped Be-Bop.
I make a living off of playing shows; the albums only make me a fraction of what I make off of shows, especially since I'm doing around 100 shows a year.
A-bop-bop-a-loom-op-a-lop-bop-boom.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
The science shows that the best way to use money is to take the issue of money off the people. Pay people enough so that money isn't an issue, and they can focus on doing great work.
It's t'ai chi every time. I'm using your positive energy, and I'm blowing off it. See, most guys can't push, they got to lean. When they lean, I spin.
Lean gives you such stomach pain. I'll never forget the time I was at South by Southwest and had to do all these shows, and I sitting on the couch curled up, hours of pain...That wasn't the moment I quit, that was the moment when I said I need more.
With acting, it's all about internalizing the character for me and doing all the preparation you can. So the day you first step into your wardrobe, you can walk like the person. That's really the moment where the light bulb goes off. You're nervous; any actor will tell you that. Robert De Niro will probably tell you the same thing. He may not want to share that with you, but he probably goes through it. That's why actors are so neurotic.
Shows have asked a lot of actors to take cuts. Shows are going off the air. So okay, life goes on.
I was in the fashion shows in Milan; I was seventeen, I was doing like 100 shows. People were asking, 'How does it feel to be the model of the moment?' It was hard for me to answer as myself. I barely spoke English.
Touring used to be hard. Early on in my career when I was more in grind mode, I was doing two or three shows a day. It was tough because you start feeling like you have no life. That being said, I do enjoy actually doing the shows.
If a guy is gonna to play good bop, he has to have a sort of a bop soul.
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