A Quote by J. I. Packer

But to read all Scripture narratives as if they were eye-witness reports in a modern newspaper, and to ignore the poetic and imaginative form in which they are sometimes couched, would be no less a violation of the canons of evangelical literalism than the allegorizing of the Scholastics was.
[Opera] does not call so much for an imaginative ear as for an imaginative eye, an eye which can see beyond little absurdities toward great truths.
For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it.
Sin is to a nature what blindness is to an eye. The blindness of an evil or defect which is a witness to the fact that the eye was created to see the light and, hence, the very lack of sight is the proof that the eye was meant... to be the one particularly capable of seeing the light. Were it not for this capacity, there would be no reason to think of blindness as a misforture.
The ear is a less trustworthy witness than the eye.
I have sometimes thought that his bursts of imaginative talk were fatal to his poetic gift. He squandered too much in the heat of personal communication.
Throughout all ranks of society, from the successful merchant, which is the highest, to the domestic serving man, which is the lowest, they are all too actively employed to read, except at such broken moments as may suffice for a peep at a newspaper. It is for this reason, I presume, that every American newspaper is more or less a magazine.
What suggests to non-Evangelical scholars that the resurrection narratives contain legendary accounts? First there is a variety of apparent contradictions in the stories which in any ancient narrative would have to arouse the historian's suspicion.
As a parent, would you not endorse a decision by your child's school, which encourages her to read a newspaper everyday? In fact, you would be even more approving if the prescribed newspaper was a leading national daily.
In an ideal world, judges are not supposed to read or be influenced by media reports. But it is difficult to ignore television news which does not distinguish between reportage and comment.
The narratives of Scripture were not meant to describe our world ... but to change the world, including the one in which we now live.
Humans in modern societies are driven by a perhaps desperate hope that they might find some way of mobilizing their theoretical and empirical knowledge and their evaluative systems so as both to locate themselves and their projects in some larger imaginative structure that makes sense to them. ... Furthermore, many modern agents would like it to be the case that the form of orientation which their life has is, if not true, at least compatible with the best available knowledge.
Pastors need to know what's going on in the world and what has been going on for 4,000 years. We need a way to read Scripture which is imaginative, interpretive.
It was assumed that you can't touch evangelical Christians. "Oh, they're the Republican Right. Stay away from those people. Don't even try to talk to them." Well, what's interesting is that there were evangelical Christians who were voting for Kerry. There were right-to-lifers who were voting for Kerry. And it's interesting to listen to the reasons why. To ignore that segment of the electorate is moronic. Particularly if you don't know who those people are, or what their concerns are.
Russia's actions on the Crimean Peninsula were a serious violation of international law and of the principles upon which European peace is based. That is why we cannot let pass or ignore what took place.
Poetic language features an iconic rather than a predominantly conventional relationship of form and content in which all language (and cultural) elements, variant as well as invariant, may be involved in the expression of the content.", "Analysis of the Poetic Text.
He read reports, examined evidence, and poured more reports up the chain than the Pentagon could read. Nothing short of a human sieve. But in the end he was just one small piece on this game board called war. End of story
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