A Quote by J. J. Cale

I'm basically a songwriter, man. Songwriters are down in the fine print, you know? And I really enjoy that. — © J. J. Cale
I'm basically a songwriter, man. Songwriters are down in the fine print, you know? And I really enjoy that.
I generally, you know, I don't - I don't really scat. I'm - I'm basically a songwriter so you need a little lyrics that rhyme and stuff.
I'm not a big songwriter guy. People who are really good singer-songwriters usually left me kind of cold.
I guess this is why I hate governments, all governments. It is always the rule, the fine print, carried out by fine-print men. There's nothing to fight, no wall to hammer with frustrated fists.
I don't know why songwriters struggle. They have to, I guess. If you're a young songwriter, quit struggling. It makes you look bad.
It was like I had evolved to a certain stage where I was stuck in this songwriter bag as an image. But basically at heart, I'm a rocker. And I still am. But I was caught up in the singer/songwriter bag and I wasn't really enjoying it.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
The big print giveth, and the fine print taketh away.
I've grown up on American songwriters my whole life - listening to Paul Simon and Bob Dylan and people like John Prine - you know, classic, real songwriters. They've been the lion's share of what I've really focused on as a writer and as influences, too.
You need to understand that a skilled professional songwriter can accelerate your success as an already talented musician. These people are writing every single day, so their craft is really sharp, and it's the best songwriters who consistently get on the radio.
I tend to basically exaggerate in life, and in writing, it's fine to exaggerate. I really enjoy overstating for the purpose of getting a laugh. For another thing, writing is easier than digging ditches. Well, actually, that's an exaggeration. It isn't.
I did enjoy Nashville a lot of the time, because I made really good friends who were really good songwriters, and they would be a joy to hang out with.
Well, it wasn't really a decision on my part although you always hope as an author that a book that goes out of print somehow winds up back in print. These days publishers like to put out-of-print books into e-book form, but I really wanted to do an update.
I wouldn't consider myself a songwriter at all. Maybe I piece together a certain little thing here and there, but songwriters are people who do this with sheet music.
My success was the shock of recognition, probably, rather than the quality of the work. I mean, the quality may have been fine, but there's a lot of fine work out there. It was the fact that I was doing something that at that time, nobody else was doing, except for say, Mort Saul out in San Francisco on The Hungry Eye, and "Second City" was emerging out in Chicago. Nothing in print. It was basically happening in cabaret and nothing in fiction. And certainly nothing in New York in cartoons.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
I grew up with this idea that songwriters had a great job. My family was Irish Catholic, so if you became a priest or a songwriter, you were golden.
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