A Quote by J. J. Cale

So, my records really didn't sell, but musicians started picking up on my sound and my songs and cutting my songs and that turned into a gold mine. — © J. J. Cale
So, my records really didn't sell, but musicians started picking up on my sound and my songs and cutting my songs and that turned into a gold mine.
If somebody wanted to go and find songs of mine to fill an iPod, that aren't on any records. They could probably find dozens of songs besides the ones that are on records.
What my whole object was is not to really sell records. I was trying to sell songs.
I write all the time, and I write a lot of songs, but before I started putting out records, those songs always just ended up on stuff that I did with The Babies.
I write all the time, and I write a lot of songs, but before I started putting out records those songs always just ended up on stuff that I did with The Babies.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I care about the records I make and I love writing songs and some songs are really dear to me and they mean something. But the memory of making the records and the activities surrounding the records, the people involved in them is actually a bigger thing to me.
My aspirations aren't to sell millions of records, but to write really good songs.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
I had all these raw, gritty rock records that really inspired me sonically, and so I think everything I listen to when I started writing my own songs kind of came out naturally, and it created this new sound.
We never really write 'love' love songs. There's always something twisted about them. But as far as love songs, women just became way more important to us after we turned 21, as a band in general. Kind of broke up our boyhood solidarity as we started branching out into babes.
I have country songs, I have rock songs, I have songs that don't even sound like songs.
One of the things that helped me to be confident is to be the kind of musician that I respect. I always liked musicians who wrote their own songs, and so I started writing my own songs.
I was writing songs, I guess, a sense of lyricism before I started picking up the guitar. Once I picked up the guitar, I felt I started expressing myself in that medium without words.
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
Initially, in starting to pick the songs for the live show, it was really a matter of picking songs that I loved over the years. As far as the album goes, it happened very naturally.
The availability of downloads is fantastic, but you don't know which musicians are playing on the songs anymore. It's kind of making musicians faceless, you don't get musical solos on records anymore. You know who the singer is but it's the poor old musicians who suffer.
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