A Quote by J. J. Cale
I stopped a lot of people who wanted to shove me into the real big time. Your ego wants to say, 'Hey, I'm somebody, man,' but I knew there were many days when I just wanted to be John Cale.
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There were a lot of things I wanted to say in 'Atlanta,' and I learned from the first season like, OK, you got to try and consolidate those and make it interesting and fun for people at the same time while you're doing that. You can't just shove that down to people.
When I finished the Boston race in 1967, there were two things I wanted to do. I wanted to become a better athlete because my first marathon was 4:20. In those days, that was considered a jogging time and I knew people were going to tease me. But I was more fascinated with what women could do if they only had the chance.
But having more freedom she only became more profoundly aware of the big want. She wanted so many things. She wanted to read great, beautiful books, and be rich with them; she wanted to see beautiful things, and have the joy of them for ever; she wanted to know big, free people; and there remained always the want she could put no name to? It was so difficult. There were so many things, so much to meet and surpass. And one never knew where one was going.
I got into the weights because I didn't want anybody messing with me. I wanted people to say, 'Oh, he's so big, I don't want to mess with him.' And second of all, I wanted to be great at football. I wanted to be the baddest dude around because I knew what it was like to not be.
Well it was a lot fun with John Boy and stuff, but I always knew that I wanted to be on the front of the stage even when I was playing drums. I don't have anything against John Boy, I just wanted to be on the front of the stage.
but it wasn't just about my feelings. The more I got to know you, the more I was certain that you'd do whatever it took to provide for your family. That was important to me. You have to understand that back then, a lot of people our age wanted to change the world. Even though it's a noble idea, I knew I wanted something more traditional. I wanted a family like my parents had, and I wanted to concentrate on my little corner of the world. I wanted someone who wanted to marry a wife and a mother, and someone who would respect my choice.
I know Noah Baumbach from a long time ago. We were hanging out one night, and he asked if I wanted to be in his movie. If somebody whose stuff you really like says, 'Hey, you want to do it with me?,' you got to do it. I would like to say that I get these offers all the time, but I don't.
I wanted to be an artist, even at the age of 15, and people used to laugh at me. It was the late '90s, the time of pop stars and navel-dancing, where you were showing your midriff. I wanted to be a real singer.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
I just wanted to find out where the boundaries were. So far I've found there aren't any. I just wanted to be stopped, and no one will stop me.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
I wanted to say what wasn't being said. I wanted to give people a real story. I wanted people to know people like me exist in the world.
I had to beg to get out of my contract with Capitol. They wanted me to work with big producers. I wanted to produce my music, and they weren't having that. I'm sure they were happy to let me go. I just didn't want to do what they wanted me to do.
I've said this about many people, but when you were recruiting against John Beilein you knew it was a fair fight, a real fight and he was going to do it the right way. I have a lot of respect for John. He's a heck of a coach and he will do a great job in Cleveland.
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