A Quote by J. J. Cale
Nobody really produces my albums.
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I hate albums that are really happy. When I am really happy, I don't like to hear happy albums, and when I am really sad I don't wanna hear happy albums... and I tend to gravitate towards the lonely and isolated anyway when I write.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
The albums I did around that time probably wouldn't have been the same without Ecstacy. The first three Soft Cell albums... were all really albums that were just done around Ecstacy and the whole E feeling.
I've made over 25 studio albums, and I think probably I've made two real stinkers in my time, and some not-bad albums, and some really good albums. I'm proud of what I've done. In fact it's been a good ride.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
Engaging it produces an intense force, which in turn produces a mutation in consciousness. You become who you really are.
Looking at the doctrine of Darwinism, which undergirded my atheism for so many years, it didn’t take me long to conclude that it was simply too far-fetched to be credible. I realized that if I were to embrace Darwinism and its underlying premise of naturalism, I would have to believe that: 1. Nothing produces everything 2. Non-life produces life 3. Randomness produces fine-tuning 4. Chaos produces information 5. Unconsciousness produces consciousness 6. Non-reason produces reason....The central pillars of evolutionary theory quickly rotted away when exposed to scrutiny.
One of the first albums that I remember, rap albums I remember really listening to, was LL Cool J 'Mama Said Knock You Out.'
Nobody wants to make great albums now because nobody wants to buy them and there's no place to sell them.
I feel quite excited about the possibility of working on multiple albums. There's something really iconic about having a catalog featuring a lot of albums, and I'd love to have that legacy.
Labor produces marvels for the rich but it produces deprivation for the worker. It produces palaces, but hovels for the worker. It produces beauty, but deformity for the worker. It replaces labor by machines, but it throws one section of the workers back to barbaric labor, and it turns the remainder into machines.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
There's not too many one-producer rap albums. There are lot of one-producer rock albums... and country albums.
I really love crafting albums and thinking of albums as a whole, not just individual songs or singles or just tracks, but a whole entire album.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
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