A Quote by J. J. Cale

Playing out in a band all the time at least you made money. Even if you have a hit song, it takes about two years to pay. — © J. J. Cale
Playing out in a band all the time at least you made money. Even if you have a hit song, it takes about two years to pay.
With MTV in the '80s, you made your album but then you needed to use any money you made to create a video - instead of being able to use that money to pay for you and your band to live on while you wrote new songs. So MTV upped the ante of looking for one hit. Conceptual bands who didn't have a hit were going to lose.
'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.
If I do a song with a chorus and a verse, it takes me about 25 minutes. If I do a song with two verses or stretch out the song, it takes me about 30 to 35 minutes.
We haven't started playing it live yet but we're going to. And then 'Warpaint' is a song that's really, really close to me because it's actually - we've had that song for many years now and it's changed so many times, it's been through every reincarnation of our band with every drummer, with sometimes with me playing drums, it was when we were a three-piece, every incarnation of the band that we've had we have played that song.
I remember years ago hearing a top band talking about a song of theirs that was a monster hit and they were really dissing it, saying that they hoped they'd never have to play it again. I thought: 'That's not right. If people love a song, play it.'
If it's about working out and playing basketball, I'm one of the best in the world to do it - at least two years ago. But I'm still in a space where I can play.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
If you sue somebody it takes two years, three years, and your anger just gets lost in between. And even if you win or lose the trial, it takes such a long time. If you want to really take a personal revenge, you'd better do it by yourself and at the right time.
Be more attentive to what successful people have to say about all the opportunity around you. Anything important - which takes only two minutes to point out - will exceed most people's attention span by at least a minute and a half. Learn to pay attention for two minutes at a time - and you will see more opportunity than you know what to do with.
You, as a wage earner have to pay your taxes every year on your income for that year. So if you have a one-time windfall that makes you a lot money you could end up in the top tax bracket. But if you're a corporation you are allowed to reach forward with deferrals for years. Over a 45 to 50 year period, you can balance out the winning years and the losing years in such a way that you pay very little tax, especially considering the time-value of the money.
If a band isn't coming up with two to four of those when they pick up their instruments, then they have problems - even if none of them turn into a song. If that's not happening in a band, it's time for therapy or breaking up.
Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.
The thing about this band is that every member of the band is a song-writer so that takes some of the pressure off.
The music as a whole is selfish, but the musicians aren't," "The song may go on forever but it's not about competition within the band; it's about playing as a band.
When I went to do "Carson" that night, they wanted us to do two songs, but we were a brand new band. "Conga" hadn't even hit the top 10 yet. They go, "Do you think you could do something that people know, because we want you to do a second song, but not two originals, because we don't want to lose the audience, just in case."
It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.
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