A Quote by J. J. Cale
I would never ever sing at all if I could get away with it. I had pitch problems, no range. So what I did was manipulate the sound... that way you couldn't tell that I wasn't very good.
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I have always had problems with my voice, and the piano helped me believe the song could be bigger than my voice, and I could play with new melodies and things that I couldn't on guitar. It was easier to make the sound fuller and easier to get away with not being as good.
I didn't do it (pitch like he did) for show. I did it to get batters out. Players would tell me, 'We can't tell where the ball is coming from.'
A friend of mine passed away unexpectedly at the very end of making 'Ghosts', someone who had been as close to me as someone could get, someone who was far too young. But I couldn't really sing about it for a long time - not in the way I would have wanted to.
I'm very quiet. In the beginning, my brother would play the piano, and I would sing, because that's what my mom and dad did. And then along the way, somebody teased me for even thinking that I could get up there. That stayed with me, and I became very shy.
Diana and I had a very good relationship with no personal problems. The only problem we did have was with the media, and the only place we could have any real privacy was at Kensington Palace, as they could not get to us there.
All the things that have ever deeply possessed your soul have been but hints of it, tantalizing glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest - if there ever came an echo that did not die away but swelled into the sound itself - you would know it. Beyond all possibility of doubt you would say 'Here at last is the thing I was made for.'
When we recorded the song I Just Can't Stop Loving You, my vocal range is a little higher than Michael's range. He had me re-sing the demo in the new key. Then doing that he filmed me singing this demo in the new key. I actually said, "What are you doing? Why are you filming this?" He said to me, "Because I want to sing it like you. You sound so great and I want to sing it just like you." I said, "Oh, great, Mike, my friends are really going to believe me when I tell them that Michael Jackson wanted to sing this song just like me." We laughed about that.
Oh, I forgot to tell you," Cookie said. "Amber wants your dad to get a teriyaki machine so she can sing for all the lonely barflies." "I'm a good singer, mom." Only a twelve-year-old could make the word mom sound blasphemous. I leaned into Cookie, "Does she know its not called--?" "No," she whispered. "Are you gonna tell her?" "No. It's much funnier this way.
They both sang. My grandmother had a very haunted mountain voice and would sing hymns. My grandpa would sing but in a very, very subdued way.
The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.
As for my voice, it cannot be categorized-and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range. I like so many different kinds of music that I've never allowed myself the limitations of one particular range.
I can hit baritone notes, and I can sing in the soprano range if I wanted to. I did this thing a long time ago where I did a duet with myself. I sound like two different people.
Time cast a spell on you but you won't forget me, I know I could have loved you, but you would not let me. I'll follow you down 'til the sound of my voice will haunt you, you'll never get away from the sound of the woman that loves you
No, I never sing in the bath. In fact, I've never even practised singing. I would only ever sing indoors if I had to learn a song with my pianist.
D'Angelo could sing the phonebook and it would sound good.
My dad was very, very invested in image. He felt that as a black person, the thing you could control was how did you look, how did you dress, how did you sound, how did you smell, how did you act. All of that stuff that you could control would absolutely have a strong impact on your access.
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