A Quote by J. J. Cale
I was a studio engineer out in L.A. for about six or seven years, and I played sideman for different people, and played in bar bands. I was an old man of 32 when I made my first album.
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I did a lot of writing for a lot of different kinds of bands that I was in and out of during those five years and that left me with a little body of songs that I liked better when I played alone, so I ended up going out solo and very soon made my first album.
I love to talk about the drums and music. I started playing drums when I was probably six and played a lot until I was about ten or eleven years old. So, I guess five or six years where I played. I had a drum set at home, and I would just bang on it. I'd even go on the Internet and study basic beats and so forth.
I remember when I made my first album, I was 32 or 33 years old and I thought I was way too old then.
The first tournament I ever played, I won. I was six years old.
The story I always recite - and have had to recite so many times over the years to different lawyers and different people within Universal - is that the business end of Mo'Wax was basically, like, 'Give us the big ones samples first, and we'll see how we get on.' And I gave them the six or seven that were, to me, the ones that were the scariest, and the biggest use. It wasn't about the big names, necessarily - although that played into it a bit, with people like Bjork and Metallica.
It never gets boring for me because there's so many different things to explore in the studio. The studio's become the sanctuary that people have come in and found new things out about themselves, as weird as that sounds. But it's true, I'm no different. I've made some crazy hard records, and I've made a jazz album.
I played professional tennis for about six years and I played football and handball in school as well.
I remember I was like five or six years old; I played the devil. That was my first role.
Until I was about 16 years old, my dream was to be a musician. I played in rock bands and jazz bands. Then I decided to be an actor and kept the stable career of 'jazz pianist' as my safety net.
I played as a 17-year-old with Walter Smith, who must have been about 32. So I've known Walter for 21 years.
Well, we didn't have our original drummer on our last record. And most of that album was not played as a band in the studio. It was mostly the world of computers and overdubs. There was very few things played live or worked out as a band.
I've played cricket seriously since I was eight years old, when I first played for the Essex under-11s. I can't just turn it off.
You have to remember that I played longer than anybody else on the main tour; I played until I was 40, and then played another six years or so on the seniors tour.
My first memory of playing music was when I was 3 years old in Puerto Rico. I played percussion on a tin can behind my uncle, who played the cuatro.
At six years old, our son had friends who played soccer from 4 P.M. to 7 P.M., Monday through Friday. A six-year-old practicing as much as a Division I athlete.
I've always played Vash [in the Sausage Party]. I played him at the table read. We probably did five or six table reads over the course of the first five years of trying to get it made and finally getting it made. I saw a lot of actors come and go, but I stuck around, so I guess they were happy with what I was doing. No one could play a lavash wrap like I could.
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