I do write nice songs about the guys who are nice to me! Eventually, I'm sure one of them will write a response - that's a pretty scary concept, actually! But I make sure I only write bad songs about the ones who deserve it.
Female artists I love the most are Fiona Apple, Paramour and Regina Spektor - those girls that really write amazing songs themselves, and they're younger and cool. I'm not quite sure I could ever write songs like any of them, but if I could, I would.
I would love to write a script, for sure. I write poetry and songs. But writing a script needs a lot of time and discipline.
I had hardly begun to read I asked how can you ever be sure that what you write is really any good at all and he said you can't you can't you can never be sure you die without knowing whether anything you wrote was any good if you have to be sure don't write
When I started doing these advocacy groups, it sort of propelled and compelled me to write songs, because otherwise I wasn't really sure what I was going to do, music-wise. I wasn't particularly motivated to write songs. But this level of humanity and spirit that I witnessed greatly impacted and so inspired me, so that I felt this sort of renewed vigor to write music. As far as how grounding it is, yeah, it's the ultimate amount of perspective.
I don't end up writing songs in my journals, but I'm sure that my ability to write songs has been helped by how consistently and impulsively I try to get my life into words through the journals.
I just love to play rock and roll. I love to write songs all the time
about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
I'm not sure I can write about America for the same reason I'm not sure I can write about adults - I have no critical distance on either place.
I write five, six days a week. The thing is capturing the voice. I feel like I've been perfecting one voice - in different iterations, sure, but the Russian-ness has always been the undercurrent.
I just write songs from the heart, and you never know who'll like the songs. I try to make sure that I don't allow anybody's expectation to weigh on me. I have my own expectation of life. I believe in letting people be free.
Maybe-- maybe love makes you suspicious and doubting. Is it true that when you love a woman you are never sure-- never sure of her because you aren't sure of yourself?
I did sing in a choir for a while, but if anybody was sick, I always whispered my songs to make sure nobody could pick out my voice.
Hopefully, reading and being around great literature inspires me to write songs, but I'm not sure about that.
The expectation is this low, gravelly voice for John, but I went through his early recordings and there were songs in there where the voice was so different, I wasn't even sure if it was him singing, ... So it was interesting to me that we would see him develop the Man in Black sound. I thought it was really important that his voice change as his persona slowly solidified. The music was really the doorway into the character.
There will be slow songs, sad songs, happy songs, songs about boys, and songs about being who you are. I'm making sure I'm happy with all of the songs, because if I am not happy with them, I can't expect anyone else to be, you know?
I just write songs and hope that they do well. I'm sure there is some pressure from someone at the label, but I'd rather keep away from it.