A Quote by J. J. Cale

I cut all my early records in Nashville, so I guess that makes me country. I call it country pop, but my love of the blues is in there, too. — © J. J. Cale
I cut all my early records in Nashville, so I guess that makes me country. I call it country pop, but my love of the blues is in there, too.
I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.
Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.
For me, jazz, R&B, jump swing, Chicago blues, country blues, early hillbilly music, and honky tonk all stem from the same source
I think of rock 'n' roll as a combination of country blues and swing band music, not Chicago blues, and modern pop.
I love country music, blues, and punk, and one day I might make those kinds of records.
I grew up in Nashville, born and raised. I'm a country girl, and I love country music. I had a dream I was going to be the first black female country music star, but then that wasn't the case.
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
It is not that I don't like contemporary country music because I do. I love it. I have recorded a lot and have had great success recording records that have not been very traditional country records.
I live in Nashville, and I don't know how many people there would call me country. I really started in punk and anti-folk, but one of the reasons I originally gravitated towards country music is because most of those songs only use three chords. That was the easiest place for me to start, but I'm always trying to expand what I do.
I was always the pop guy that was a little too country. I talked a little too country; I brought the country artists in.
I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
Even though I've had 20-some country No. 1 records, I still have a hard time convincing a lot of these people in the Country Music Association and the Academy of Country Music that I love country music.
I must confess that waltzes do not move me, I guess I hummed the blues too early, and spent too many midnights out wailing to the rain.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
I love most melodic music - classical, reggae, big band, jazz, blues, country, pop, swing, folk.
I feel like, genre-wise, the walls are coming down in Nashville. There are so many writers who have moved to town from all walks of life. There's this immense respect for country, but there are pop songwriters, R&B. Nashville has become sort of this go-to writing city for every genre.
This site uses cookies to ensure you get the best experience. More info...
Got it!