A Quote by J. J. Redick

I have this personality where I'm all in on something or I'm off of it. — © J. J. Redick
I have this personality where I'm all in on something or I'm off of it.
In preindustrial times, the idea of creating something was more related to your personality. Personality was something that you constructed; it's something you had to actively develop and work on. Now personality is something that you have.
Until your personality has exhausted its obsession with running the show, your soul isn’t given the space to express itself. Your personality can be threatened by your soul, because your personality has controlled your life for a long time and doesn’t want to give up control. Your personality is like a wild horse that tries to throw off the rider trying to tame it. The rider is your soul.
The sport needs a personality, not a fighter. We've got plenty of great fighters in the sport, but no personalities. No one is standing for anything. The last personality we had was Mike Tyson. He stood for something. It wasn't much, but he stood for something.
For me, actresses are constantly chameleons, and so they are taking a backseat to their own personality. I don't feel like we're trying to show off their personality as much as let them be a blank slate. It's precisely the reason why I dress more musicians than I do actresses.
Man is concentric: you have to take fold after fold off of him before you get to the centre of his personality. You must get below his animal nature, habits, customs, affections, daily life, and sometimes go away down into the heart of the man, before you know what is really in him. But when you get into the last core of these concentric rings of personality you find a sense of the infinite-a consciousness of immortality linked to something higher and better.
I would say that I have an aspect of my personality which is that I have no personality. That's why I work as an agent. I have the assumed personality of the people I represent. I am like a sponge.
In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.
I'd started acting as a child. But I wanted to see if it was something my true personality was interested in. I stepped away from offers when I took five years off to go to college. I've only really just decided to whole-heartedly embrace acting.
Once a food becomes off-limits, then it takes on this whole other personality. 'Forbidden' is more tempting. And it becomes something evil, but food is food. It's there to nourish your body.
Once a food becomes off-limits, then it takes on this whole other personality. Forbidden is more tempting. And it becomes something evil, but food is food. Its there to nourish your body.
What I find is that the taking, the stealing, the appropriation of images has to do with prior availability, and it sets up a degree where things can be shared... It's like 50% off... You can let something of another emotion or another personality sign on your work, or co-sign it.
You see something very important is happening. Personality is being eaten out, and with that the idealism that always motivated an anarchist movement - the belief in something, the ideal that there is something worth fighting for.
I can't become another person, no matter how much makeup I wear. Something of your own past, your experiences and personality always comes out in the role, and that makes acting very risky. You're exposed. You always wonder if you can pull it off.
I kind of keep my personality in my pocket a lot. When I start to do stand-up, that's not my true personality either. It's the personality of a guy who hasn't been able to say what he wanted to say.
Our main way of relating ourselves to others is like things relate themselves to things on the market. We want to exchange our own personality - or as one says sometimes, our "personality package" - for something.
I have a big personality, and people feed off that.
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