A Quote by J. J. Redick

As a shooter, you always want to be in a rhythm. — © J. J. Redick
As a shooter, you always want to be in a rhythm.
My form is improved and I'm just continuing to improve. I want to come back as a shooter. A knockdown shooter.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
Kyle Korver, to me, is a shooter. JJ Redick is a shooter.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
Steph is the greatest shooter of all time. Shooting off the rack is not indicative of being a better shooter than Steph Curry.
Offense at Indiana is not equal opportunity. Those players who shoot best are going to shoot most. It is important that every player know his offensive limitations. It is also important that a player know who the best shooter is on the team. When a passer has the option of passing to two players, I expect him to get the ball to the best shooter. I continually stop practice and ask players who the best shooter is and I expect them to know. It is important that you get the ball to your best shooter.
I've been a good 3-point shooter, but I've been a better midrange shooter my whole career, so it was definitely frustrating to try to figure out that balance.
I'm a really good shooter, three-point shooter. I'm good at defense. Dribbling, not so much.
Flip on the news and watch how we treat the Batman theater shooter and the Oregon mall shooter like celebrities. Dylan Klebold and Eric Harris are household names, but do you know the name of a single ‘victim’ of Columbine?
All life requires a rhythm of rest. . . There is a rhythm in the way day dissolves into night, and night into morning. There is a rhythm as the active growth of spring and summer is quieted by the necessary dormancy of fall and winter. There is a tidal rhythm, a deep, eternal conversation between the land and the great sea.
Every land has its own special rhythm, and unless the traveler takes the time to learn the rhythm, he or she will remain an outsider there always.
Writing is so much about rhythm. If you've got another rhythm in the room, it spoils the rhythm of the words.
I don't want to be just a shooter. I want to help the team in other ways because I know I can do that.
Whether I'm performing or directing, I'm aways thinking about rhythm; sometimes it's nailing the right rhythm, and sometimes it's intentionally breaking the rhythm. Those two things are what make something funny or not. How long a shot is and where you put the camera are all part of that rhythm of directing.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
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