A Quote by J. J. Redick
Obviously, you look at a situation and you say, 'What do I need to do to fit in?' I looked at the Clippers and said, 'I really need to work on my dunk shots.'
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In general, I'm pretty busy with the other things I charted ... I bought a piece of a sports-tech company. We do a lot of work with at the Clippers. I think that'll be great. We're really looking at the possibility of extending and building a real over-the-top distribution channel with value-added services for the Clippers, that could lead to other partnerships and investments. But most of the stuff I'm looking at isn't because I say, "Hey, I want to invest." It sort of comes around from the work we're doing with the Clippers.
If you are not physically strong, it's difficult. But at the same time, I think you need something more than that; you need to vary your shots, as Justine has been able to do in Amelia or Charleston, where she beat her -- I can't remember where it was on clay. So you need this kind of thing. But of course if you're not fit, you'll never make it through.
We obviously need more love in the world. And we obviously need more compassion and understanding. Our leaders need to really address these issues properly now.
I always loved the Clippers. You root for the underdog. Obviously, everybody in L.A. is a Laker fan, but deep down inside, you root for the Clippers. If you're a true Los Angelean, that's how it happens. You always want the Clippers to do well.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
Obviously the chance to work with Rafa, there's not really a better situation I could be in. He's great. He takes his time with you. One-on-ones, he'll stay out after training for another hour if you need it. He's been one of the best managers I've had.
If you're working with a band and you really want to work them into the episode, you've got to say to them, "Look, we need you around every day and on Tuesday night all night because we need you to do voices as we're changing stuff." We do the show so quickly, and you just can't get bands to do that. It's not really fair.
The Lakers, obviously, that's L.A.'s team. The Clippers and Clippers fans are put on the backburner a little bit and can go unnoticed due to the championships, due to the people who played there.
We [Americans] really need a system that comprehensively looks at the fact that we need these workers in the United States, we need to be able to provide a pathway to citizenship. We need to be able to allow them to be here legally and to do the work that they are doing and that we need.
You need all four people to be throwing well. You need to be playing the right shots. You just need to be a lot smarter.
I asked Mr. Vann which O levels you need to write situation comedy for television. Mr. Vann said that you don't need qualifications at all, you just need to be a moron.
Honestly, as an actor, all I need to know, the way I kind of look at a scene, is like a puzzle. There are certain puzzle pieces that are bigger than others, and all I need to know is if this is going to fit here to make this part of the puzzle work.
My teachers used to tell me you need to learn to adjust to fit the situation. Don't just do what you've always done because it might not always work.
I really need to work. People think that I'm no longer interested in acting and only interested in work-ing with the animals. Obviously I have given that impression, but it is not how I feel. I think I'm a good actor. I think I look OK. I don't understand why I'm not working all the time.
I'd say that the No. 1 attribute you need as an actor is to be malleable. You need to be able to change and tailor what you're doing to what the situation dictates.
Marketers keep inventing desires, necessities for you and for me. I need this. I need that. I need. I need. It's the need of a smoking fit. If you don't smoke that cigarette now, you'll die - when in reality you die because you succumb to the rage and rattle of the needy greed that keeps you busy needing more and more things. Is this the American Dream - the greedy need?
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