A Quote by J. J. Watt

I respect every guy that has walked away. I think every single guy in this league makes his own decision, and that's perfectly fine. The reason I respect that and the reason I think every guy has his own way of dealing with things is because, in my personal opinion, I know what I'm getting into.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
I look across the league at some of these really good teams and these great players, and you give a guy that shoots 18-footers an 18-footer, he makes it every time. Every. Single. Time. You give a guy an open 3 and he makes it every single time.
I have a lot of respect for every opponent. I don't know if there's just one who I say, 'that guy intimidates me.' When I was young and first came into the league, Ray Lewis was that guy. I was young.
Every guy has his own style and his own way of sharing his feelings and love for a woman. Who am I to judge whether it's right or wrong?
We tend to just think about how hard it is to never have thrown to a guy. That is true, every guy has their own way of doing things and you build a rapport with guys throughout the course of the year and throughout practice and all of that.
I mean you think about the guy, the Nigerian guy, who was going to blow up the plane. He was wearing a pair of Fruit of the Lunatic. ... Guy was not too bright. He said that the reason he became a suicide bomber was to work his way up in the al Qaeda organization.
Each person calls barbarism whatever is not his or her own practice.... We may call Cannibals barbarians, in respect to the rulesof reason, but not in respect to ourselves, who surpass them in every kind of barbarity.
For every new guy, you need to change a few things in the way you train, the way you take every fight. For every guy I train for, I prepare differently and learn new things, and I just keep them. That's why it's good to be fighting new people, because you add new things to your arsenal and keep getting better and better all the time.
Once you are in that ring things happen that you don't expect. There is nothing you can plan for. At the end of the day, you've just got to go in there and feel the guy's spirit. You've got to listen to him breathe, look into his eyes, feel his power and feel his speed. You can't think too much. It is instinctive. It is on-the-fly. But at the same time I go in there and I think it doesn't matter what this guy does, I'm going to have my way. In whatever situation we end up, I am always going to come out on top. That is the one thing that is the same for every single fight.
Culturally, it's really funny to me that people respect the weird guy as an artist. There can be a curmudgeon in the corner with spiders building nests in his hair, and he hasn't bathed for three weeks, but for whatever reason, he's more creative than the guy sitting next to him that's showered and is talking to everybody.
Shake off all the fears and servile prejudices under which weak minds are servilely crouched. Fix reason firmly in her seat, and call to her tribunal every fact, every opinion. Question with boldness even the existence of a god; because, if there be one, he must more approve the homage of reason, than that of blindfolded fear... Your own reason is the only oracle given you by heaven, and you are answerable not for the rightness but uprightness of the decision.
I want to be one of the guys, but I also want to be 'the' guy, the guy that can go out there and they can rely on in crunch time. I'm going to be the guy that they know will show up every day, every game, every play and show up on a consistently great level.
I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.
Someone might say that's a naïve way of looking at things now, and I would respect their opinion, but I also respect every woman's right to wearing her own individual style, including hair.
I don't know that person anymore, that guy in '86, '87. I don't know that guy no more. I don't have no affinity for that guy no more. I have no affinity for the guy who said, 'I am the greatest fighter God produced.' I have no affinity for the guy who said he would try to push his [opponent's] nose bone up into his brain. I just don't know that guy. I don't know who he is. I don't know where he came from. I don't have no kind of connection with him no more.
I always think that's really lazy, when I'm watching a TV show or a movie or something, and there's a flashback and the idea is, 'This one moment is the reason that everything happened. This character saw this guy, and this guy said this thing to him, and that's why he is this way.' Because I think in real life, it's not so one-to-one.
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