A Quote by J. K. Rowling

Interesting theory. Has anyone ever tried sticking a sword in Voldemort? Maybe the Ministry should put some people onto that, instead of wasting their time stripping down Deluminators or covering up breakouts from Azkaban.
Anyone who writes down to children is simply wasting his time. You have to write up, not down.
Why waste time proving over and over how great you are, when you could be getting better? Why hide deficiencies instead of overcoming them? Why look for friends or partners who will just shore up your self-esteem instead of ones who will also challenge you to grow? And why seek out the tried and true, instead of experiences that will stretch you? The passion for stretching yourself and sticking to it, even (or especially) when it’s not going well, is the hallmark of the growth mindset. This is the mindset that allows people to thrive during some of the most challenging times in their lives.
Maybe now, instead of being afraid and saying, 'Look how hard Terry tried, and he still got cancer,' instead people will say, 'Look at the effort he put in, and he died of cancer. We're really going to have to try hard in order to beat it - harder than we ever have before.'
I learnt to distrust all physical concepts as the basis for a theory. Instead one should put one's trust in a mathematical scheme, even if the scheme does not appear at first sight to be connected with physics. One should concentrate on getting interesting mathematics.
Maybe instead of stalking her, you should go out with someone else." He sighed. "You don't think I've tried? How can anyone compare? You might not believe this, but there is no one like Ageline at this school.
Some people put up a peace sign with one hand. Some people put up the middle finger instead. I use two hands and put up both.
I couldn't pick up a sword and go fight anyone, let me put it that way. It's choreography and it's acting. The best sword fights you see look amazing, but it's the acting that sells it more than anything.
Finding a kid that could be introspective and internal and thoughtful, and then also be wild and free and guileless and physical, it was hard. So at the end we started getting down to panic time, and we still hadn't found our Max. And we decided to go about it a different way. We said, "Let's just find friends of ours that live in interesting cities in the country that maybe aren't as big, and people that don't do casting." And thinking maybe you find a place that has an artistic community, maybe we'll find some interesting kids from there.
I'm also not sure that I look up to others as knowing what the hell is going on, except maybe Andre Agassi, who, when I interviewed him, while covering the U.S. Open, seemed to know what was going on. My basic assumption is that we're all confused all the time. Some people do act more confident, though. Maybe they aren't confused. I am. I'm confused.
I don't think you should ever say, 'This is the last time'. Music isn't like that. You'll be sitting there not wishing to get onto a stage again for maybe two, three, four, five months, or maybe a year, then suddenly you'll wake up and feel like you've got to do it again. It's in the blood, and I never say never.
Paris Hilton, that's very interesting what she did. I've never done that. I haven't really sort of ever got into that. As time passes, maybe I should record it and put it in a vault so that when I get a little old don't have the energy I can remember how life used to be.
In the prepping for 'Azkaban,' I read 'Azkaban' and 'Goblet of Fire.'
There are still many different ways to get stuck, existentially stuck. Feeling like, "This is worthless. I'm wasting my time, and I would be wasting the time of someone who tried to read this." It happens all the time.
Sometimes I'm drawing onto a computer directly, sometimes I'm drawing on paper , so I can't really talk about drafts. It's just like having soft clay until it hardens. At least as much of the problem has to do with the decisions of what to represent, how to represent that, and how to reduce it down. The words in the balloons aren't particularly poetic necessarily, but it has the same problem as poetry, which is that one has to do great reduction. And if I tried to draw everything, you'd just have a tangled mess of a picture. The stripping down takes much longer than building up.
In these researches I followed the principles of the experimental method that we have established, i.e., that, in presence of a well-noted, new fact which contradicts a theory, instead of keeping the theory and abandoning the fact, I should keep and study the fact, and I hastened to give up the theory.
That she had somehow taken the initiative to learn my name should have struck me then, but it did not. Instead, as she stood on the street with the rain coming down and mascara running onto her cheeks, all I could think was that I'd never seen anyone more beautiful.
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