A Quote by J. K. Rowling
I sat and thought for four (delayed train) hours, and all the details bubbled up in my brain, and this scrawny, black-haired, bespectacled boy who didn't know he was a wizard became more and more real to me.
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I always wanted to entertain. When I was six, a scrawny, scrawny kid, I'd get in my red speedo and do muscle moves. I actually thought I was muscular. I didn't know everyone was laughing at me.
I always wanted to entertain. When I was six, a scrawny, scrawny kid, Id get in my red speedo and do muscle moves. I actually thought I was muscular. I didnt know everyone was laughing at me.
Just having walked into a prison environment, sat there for two hours, the effect that it had on me. ... I couldn't imagine the effect it would have on a person 24 hours a day. So then I became more intrigued, and we began a correspondence, and I began visiting [Todd Willingham].
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
I'm still a size 10, but it's the toning that's getting me down, and I think it can only get more difficult as I get older. Either one gets very thin and scrawny, or one puts on poundage; I'm definitely not going to pile on the pounds, so I can expect to end up scrawny.
I had the idea of a boy who was a wizard and didn't yet know what he was. I never sat down and wondered, "What shall I write about next?". It just came, fully formed.
The right kind of practice is not a matter of hours. Practice should represent the utmost concentration of brain. It is better to play with concentration for two hours than to practice eight without. I should say that four hours would be a good maximum practice time-I never ask more of my pupils-and that during each minute of the time the brain be as active as the fingers.
I love sitting through long things. I mean, 'Gone With the Wind' I will sit through; I love sitting somewhere for four hours, for anything. I love being on a train. I love sitting down for four hours. I think it's the most wonderful thing to be able to sit somewhere and concentrate on something for more than two hours.
I sat in the barber's chair in David Miller's makeup shop, hours and hours of trial and error. While David poked at me with his crusty brushes, I grew more and more profane. That's how I started to find the voice of Freddy.
How is it I know this little about the boy who says he loves me -- the boy whose real name is powerful enough to keep us alive in a train car full of enemies?
I get up at 7:30 and work four hours a day. Nine to twelve in the morning, five to six in the evening. Businessmen would achieve better results if they studied human metabolism. No one works well eight hours a day. No one ought to work more than four hours.
Interviewer: [What do you get up to] In real time?
Brian Molko: I go on Placebo sites and have a terrible time trying to convince fans it's actually me. No one ever believes it. I've spent about four hours, giving away intimate details about myself that I'd never tell a journalist, in an effort to prove that it's me.
The more and more I got into writing, the harder and harder it became for me. I still love it, but it became much more problematic than I thought it would be.
A really good day for me is to write my book for about four hours, go to the writing room for about four hours and then maybe come back to the book to finish the day for a few more hours of it.
I don't know if it's more acceptable or if black men are more comfortable. Black men certainly are more comfortable with it. I don't know that society, like white society loves it or black women. When you see a black man with a white woman there is a feeling that you have and I think the feeling is an instinctual feeling of you want her you don't want me. I don't look anything like her, so you don't like. You know what I mean? Something like that. It's a real instinctual primal thing.
I think any filmmaker looks back and thinks, 'Boy, if we only had four hours more on that day when the sun was going down,' or, 'If we only spent more time and went back.'
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