A Quote by J. K. Rowling
You have to kill a lot of trees before you write anything good.
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You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that's just the way it is. It's like learning an instrument, you've got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with. And read a lot. Reading really helps. Read anything you can get your hands on.
I got out of the elevator and confronted Mr. Wexler. “Killing is wrong.” “We kill chickens,” Mr. Wexler said. “We kill cows. We kill trees. So big deal, we kill some drug dealers.” It was hard to argue with that kind of logic because I like cows and chickens and trees much better than drug dealers.
When I was young I was depressed all the time. But suicide no longer seemed a possibility in my life. At my age there was very little left to kill. It was good to be old, no matter what they said. It was reasonable that a man had to be at least 50 years old before he could write with anything like clarity.
You write a lot of bad songs before you write good ones. It takes time!
Mine is a most peaceable disposition. My wishes are: a humble cottage with a thatched roof, but a good bed, good food, the freshest milk and butter, flowers before my window, and a few fine trees before my door; and if God wants to make my happiness complete, he will grant me the joy of seeing some six or seven of my enemies hanging from those trees. Before death I shall, moved in my heart, forgive them all the wrong they did me in their lifetime. One must, it is true, forgive one's enemies-- but not before they have been hanged.
They kill good trees to put out bad newspapers.
Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.
Do not write if there is no tremendous urge to do so. At the heart, there must be an inspiration or muse or one of those old-fashioned things. Else, why bore yourself, destroy other people's interest and kill trees?
Why you kill me? I never did you anything. Not kill me! I beg not to be locked up. Never let me out of my prison - not kill me! You kill me before I understand what life is. You must tell me why you locked me up!
The International Control Commission isn't doing anything, it's never done anything. What good does it do to be on it or not? Before opening the embassy in Hanoi, I gave it a lot of thought, but it wasn't really a painful decision. American policy in Vietnam is what it is, in Saigon the situation is anything but normal, and I'm happy to have done what I did.
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
I've been writing as long as I've been able to form words. I never wrote with an idea of publishing anything until I began working on '[To Kill a] Mockingbird'. I think that what went before may have been a rather subconscious form of learning how to write, of training myself.
I never before knew the full value of trees. Under them I breakfast, dine, write, read and receive my company.
At 10 o'clock in the morning I'd go right in the studio. It feels good to be there in the morning before the day starts to mess with you - I don't mean in a negative way, but before I'd speak to a lot of people or get into anything, I'd go in there and just see what I felt. A lot happens in the morning for me in the studio.
I have to practice to be good at guitar. I have to write 100 songs before you write the first good one.
People don't really give me much anymore, and for good reason. I have to pay for a lot of stuff now, I can afford a lot more than I ever could before. No one really gives me anything anymore, but it feels good.
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