A Quote by J. K. Rowling

I think it's difficult to be honest about certain aspects of my work without acknowledging that I have experienced or felt or questioned certain of the themes in the books. — © J. K. Rowling
I think it's difficult to be honest about certain aspects of my work without acknowledging that I have experienced or felt or questioned certain of the themes in the books.
Every writer has certain subjects that they write about again and again, and . . . most people's books are just variations on certain themes.
You probably have to trust that your work is following certain themes and certain movements, but then the rest is a kind of piecing together so that the whole becomes larger than the parts.
Football is a violent sport, but you know what you sign up for when you put those shoulder pads on. I agree with certain aspects of it. I disagree with certain aspects of it. I've had concussions and I'm still here. I still love the sport. I think I'm still very healthy.
Books leave gestures in the body; a certain way of moving, of turning, a certain closing of the eyes, a way of leaving, hesitations. Books leave certain sounds, a certain pacing; mostly they leave the elusive, which is all the story. They leave much more than the words.
I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc.
Anyone who has ever been a mother or father and is at all honest knows from experience how difficult it can be for parents to accept certain aspects of their children. It is especially painful to have to admit this if we really love our child and want to respect his or her individuality yet are unable to do so.
I'm surprised when the work appears beautiful, and very pleased. And I think work can be very good and very successful without being able to call it beautiful, although I'm not clear about that. The work is good when it has a certain completeness; and when it's got a certain completeness, then it's beautiful.
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
I felt like there was a certain standard that we held 'Strangers' to, so I think about that whenever I work on something.
I certainly think that many of the themes, and many of the ways that I wrote about Congo, will continue to live on in my work. One of the fundamental aspects of my work is for myself and the reader to see the world that they think they know in a different way.
Anybody who has listened to certain kinds of music, or read certain kinds of poetry, or heard certain kinds of performances on the concertina, will admit that even suicide has its brighter aspects.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
I typically try not to think too hard about what I'm going to do in a certain scene with a certain actor in a certain moment because I think that kind of lends its way to not being as improvisational and sort of carefree as one would hope.
One is constantly trying to figure out what came together in one's childhood. Lots of people spend significant portions of their lives in therapy - especially in the States - trying to work out who they are. I'm certain there is a little of that in the business of writing. That would explain why certain images and themes recur.
I didn't go to a conservatoire, and I have certain low opinions of certain aspects of the conservatory experience.
This site uses cookies to ensure you get the best experience. More info...
Got it!