A Quote by J. K. Rowling

No, there is literally nothing on the business side that I wouldn't sacrifice in a heartbeat to have an extra couple of hours' writing. Nothing. — © J. K. Rowling
No, there is literally nothing on the business side that I wouldn't sacrifice in a heartbeat to have an extra couple of hours' writing. Nothing.
Dancing is still, for me, one of those things that no matter when I do it and it sounds corny and cliche, but time stands still. I could literally dance for hours and hours on end and not realize that I've been dancing for hours and hours on end. In the right setting, I could literally dance all day and have a blast. It seems like one moment to me. There's nothing else going on, and it's the ultimate release.
Sometimes I find myself sitting in one spot for hours, staring at nothing, thinking of nothing, feeling nothing, and most disturbingly, caring about nothing.
Life and death are nothing but the mind. Years, months, days, and hours are nothing but the mind. Dreams, illusions, and mirages are nothing but the mind. The bubbles of water and the flames of fire are nothing but the mind. The flowers of the spring and the moon of the autumn are nothing but the mind. Confusions and dangers are nothing but the mind.
The meaning of "He will give us all things" can be put thus: one day we will see that nothing - literally nothing - which could have increased our eternal happiness has been denied us, and that nothing - literally nothing - that could have reduced that happiness has been left with us.
Writing is a strange synthesis between the two parts of your mind: the analytical side and the side that knows nothing at all, and you have to allow the dreaming side free rein.
Music can be so disturbing and frustrating. I mean the business side of it. The actual making music part is fun, but the business side of it is just so out of control, has nothing to do with anything.
We strain to tell Americans and aliens in this country that there's nothing unique about America, nothing unique about American civilization, nothing that requires their allegiance, nothing of great value that they should sacrifice for.
There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.
The worst thing about the music business is the business part of it. Business has nothing whatever to do with writing, playing and performing.
I've been doing nineteen hours a day on London, nothing else, I mean this has been my whole life, and writing has been put on one side, and if I'm privileged enough to be the Mayor of this city, then I will not write again.
Not only did I not like officiating his games, I was afraid at times he was going to knock my block off... there was nothing you could do to get the guy on your side... with saying that, I've talked to Rasheed Wallace in the last couple of years and he's nothing but a complete gentleman off the floor.
When I'm writing, which is 8-9 months out of the year, I'm in a concerted writing pace, where I work 5 days a week for at least a few hours a day, maybe a little bit more. But I won't work for more than 2 hours at a time. I'll work for a couple hours and take a break.
In the world it is called Tolerance, but in hell it is called Despair...the sin that believes in nothing, cares for nothing, seeks to know nothing, interferes with nothing, enjoys nothing, hates nothing, finds purpose in nothing, lives for nothing, and remains alive because there is nothing for which it will die.
Where the material is, that's where you go. I'm a workman: I go to work. I've done movies for nothing, literally nothing; I did 'Last I Heard' for next to nothing.
Writing has nothing to do with publishing. Nothing. People get totally confused about that. You write because you have to - you write because you can't not write. The rest is show-business. I can't state that too strongly. Just write - worry about the rest of it later, if you worry at all. What matters is what happens to you while you're writing the story, the poem, the play. The rest is show-business.
I was writing "Diamonds and Rust' and it had nothing to do with what it turned out to be. I don't remember what it is, but I think I was writing a song. It was literally interrupted by a phone call, and it just took another curve and it came out to be what it was.
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