A Quote by J. K. Simmons

It's OK to turn down stuff that isn't really interesting and spend the summer with my family. — © J. K. Simmons
It's OK to turn down stuff that isn't really interesting and spend the summer with my family.
I fell for her in summer, my lovely summer girl, From summer she is made, my lovely summer girl, I’d love to spend a winter with my lovely summer girl, But I’m never warm enough for my lovely summer girl, It’s summer when she smiles, I’m laughing like a child, It’s the summer of our lives; we’ll contain it for a while She holds the heat, the breeze of summer in the circle of her hand I’d be happy with this summer if it’s all we ever had.
All this new stuff goes on top turn it over, turn it over wait and water down from the dark bottom turn it inside out let it spread through Sift down even. Watch it sprout. A mind like compost.
We always spend the summer together. My wife and kids, we always go back to Massachusetts and spend the summer there near where my wife and I both grew up. I wasn't willing to sacrifice the summer to go elsewhere.
My poor children have been the subject of all of my experiments. We're still doing what I call 'Amish summers' where I turn off all electronics and pack away all their computers and stuff and watch them scream for a while until they settle down into, like, an electronic-free summer.
I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work.
Nobody is in their right to tell anybody how to spend their free time. If you like to spend it with your family or your kids, fantastic. If you want to spend it with your girlfriend, great. If you want to spend it doing charitable work, great. If you want to spend it through endorsements and marketing stuff, great.
I grew up going on vacations with my family to New York every summer, and it's something that I always looked forward to. They'd take me to theater and shows and interesting restaurants, so I was genuinely really excited to move there.
I turn down really well-paid shows all over the world because I want to spend more time with my wife and myself.
The only things that are really permanent are love, family, friendship, and that is a lesson. At the end of the day, that's really what it boils down to. The rest of it is just stuff.
I have a family and you know very well the time that that takes. That's good time. I have a couple hobbies. I'm a runner and play tennis. In the summer my family and I uproot ourselves and go live in Maine for the summer. We have a house on a very tiny island in Maine. Which is really my spiritual center. We've been going there for ten years, and it has no ferry service, no bridges, no telephone service. It's really isolated.
Jung Min is SS501's Hitler. When we lived together, we played video games. But we can't turn the sound loud. Not even by one click. Jung Min says we can't have it loud, so we're like “Ok, fine. He's our member, so let's be understanding and turn it down.” We turn it off, but he goes to his room and does karaoke!
One of the things I really like about TV is the family, the maintaining of the family camaraderie. Film has it, too, especially when you're on location. It's like summer camp. You'll get really close, really fast. But, then you'll have to say goodbye.
Do you know what a showmance is? It is like being at a summer camp when you're a teenager. You spend summertime away from your home. When you spend three months very closely with someone at a particular place, it is like a summer love. You have no choice but to get involved with that person.
Most of my characters are an amalgamation of people that I've met, my family, or myself. Being a writer, you can draw only from what you know. I am lucky to have really rich and interesting people in my family for, you know, interesting family nights and great characters.
For the really scary stuff to work at the end you have to fall in love a little bit with the family and want then to be ok. And once you get the audience to buy in on that then they care. They want them to be okay.
It's when people come at you on Twitter and say really crazy things. That's the kind of stuff that I insulate myself from. All of that is not very interesting or helpful, but we have critics who sometimes really love us or sometimes don't, and it's really interesting for me to see what they don't like about it.
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