A Quote by J. K. Simmons

I am who I am. I have a low voice, and I look like somebody's dad or boss or a police chief, and those roles come my way. — © J. K. Simmons
I am who I am. I have a low voice, and I look like somebody's dad or boss or a police chief, and those roles come my way.
I am - Somebody. I may be poor, but I am - Somebody! I may be on welfare, but I am - Somebody! I may be uneducated, but I am - Somebody! I must be, I'm God's child. I must be respected and protected. I am black and I am beautiful! I am - Somebody! Soul Power!
I am working in my office. I've got a boss who tells me what to do. He's got a boss who tells him what to do. And above him is another boss who probably is telling my boss in the same way - or my boss' boss in the same way what to do. In actuality, this is not the way things work. Management science says that that kind of a chain doesn't work more than three levels up.
I am sometimes referred to as Excuse Me in an annoyed tone of voice, because apparently I am in the way. I am so sorry. I am supposed to be some sort of mind reader, I guess. I am moving out of the way now as slowly as I possibly can. I am doing this and there's nothing you can do about it.
I am what I am and that's all that I am and if I'm supposed to be somebody else, why do I look like me?
I play tons of authority figures, whether it's the dad or the cop or the boss. I think it's a combination of how I look, who I am.
I am not here for me I am not here to promote my ego I am here to serve the Great Spirit To be a voice for those afraid to speak To be movement for those who are stuck I am here to reveal a mystery To learn something new about myself
When it comes to being in a band or going solo, one is collaborative, and one is not. But generally speaking, when going solo, I am the boss. People can contribute ideas, but I am the boss. When collaborating, you make compromises and look for a common ground.
Part of what you hear when somebody says something awful to you is like, 'They're right, I look ridiculous, why am I dressed this way, I should go home and change.' For me that voice is always in my head, right around the corner.
I look so much like my dad - same chin, same cheekbones, same forehead - and I play a little like him too. But I am my mother's son. I am who I am because of her.
I don't need the money after 11 years on 'Frasier,' and there aren't that many great roles onstage left for somebody my age. I'm more interested in playing those roles than I am in playing bit parts in movies.
I feel like I've started to create my own culture of being a voice for something, and that's what people want to know about. I love that because I am a woman and because I a rap, and I look the way I look, I can connect with the demographic of people who feel like they have a voice in me.
I try to look after my voice. I am very aware that if I am going to be doing a voice over the next day or on the radio, not to go out to a really noisy place or shout.
I am technically "boss" of the family which I am carrying along-but I am grateful to know that it is only technically - that the real authority rests on the other side of the house. It is placed there by a beneficent Providence, who foresaw before I was born, or, if he did not, he has found it out since - that I am not in any way qualified to travel alone.
Chess is my profession. I am my own boss; I am free. I like literature and music, classical especially. I am in fact quite normal; I have a Bohemian profession without being myself a Bohemian. I am neither a conformist nor a great revolutionary.
[What she told herself before interviews:] I am the way I am; I look the way I look; I am my age.
I am not an angel and do not pretend to be. That is not one of my roles. But I am not a devil, either. I am a woman and a serious artist, and I would like so to be judged.
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