A Quote by J. K. Simmons

I was in New York. I had been doing theater for many years, and then I got hired to a little part - they weren't calling it an extra, but I didn't have lines. It was a 'featured' part.
As an actor, you generally don’t get to choose what projects you are part of, so I’ve been very fortunate that The Book of Mormon was something I got to be part of. I don’t want to be lofty, but it was groundbreaking, in many ways, for musical theater, so that was really thrilling to be part of.
As an actor, you generally don't get to choose what projects you are part of, so I've been very fortunate that 'The Book of Mormon' was something I got to be part of. I don't want to be lofty, but it was groundbreaking, in many ways, for musical theater, so that was really thrilling to be part of.
I was 14 years old. I did an audition for extra work as an actor, with two lines. Suddenly I was auditioning for a bigger role, and then got a part on a Portuguese TV series at age 15. My whole life changed completely.
One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
I left New York after my mother died and, rather aimlessly, had settled in Istanbul for a change of scene. It was a rather dramatic gesture on my part, since I'd lived in New York for 20 years, but I felt I needed something different - the escalating expense and pressure of New York had begun to weary me.
I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?
It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
Then, once I have lyrics, being able to shape them around a song is nothing new for me, I've been doing that for 25 years. The soul searching part of it, the spontaneous part of it, that was, and remains, a really terrific process.
I love New York. It's kind of perfect. I'm in New York part of the time and in L.A. part of the time. That's always been a goal, to be bicoastal in a real way.
I'm so... Honestly, it's been amazing to be a part of this journey on 'Veronica Mars.' Because I started out, really, with a word on the show. So it's kind of fun to look back and be like, 'Wow, I was basically an extra,' but not really - I had a little part.
Our planning system was dynamite when we first put it in. The thinking was fresh; the form mattered little. It was idea oriented. We then hired a head of planning, and he hired two vice presidents, and then he hired a planner; and the books got thicker, and the printing more sophisticated, and the covers got harder, and the drawings got better.
I've always been a part-time model since I graduated from high school. I was hired by one of the major agencies, Wilhelmina in New York, so I modeled there and played basketball during the school season.
I see a steady downward slope toward oblivion over the next three years. I'm pessimistic. Everything that's happened to me so far has been kind of flukey. I went into Twentieth Century because I wanted to work for Hal Prince. The part was too small according to my agent. I had been doing only leading parts, and he thought I should continue that. But the part was enlarged in rehearsal: songs were added, and it became more physicalized and showy. Then I won awards and got attention.
Back home I had always been comfortable around people. I was the troublemaker, always being funny - that's just who I am. I'm Latina; I've always had that extra little flavor. But when I got to New York, it became about being comfortable with myself in a place where I didn't know many people, and that was the big challenge. Ultimately my personality helped me build relationships with the people I was working with, and I was able to stand out.
I did children's theater when I was younger, and then when I was about 14 I started doing theater in New York City.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
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