A Quote by J. K. Simmons

By the time I started doing TV and film, I was in my forties, so I wasn't going to do the young up-and-comer. — © J. K. Simmons
By the time I started doing TV and film, I was in my forties, so I wasn't going to do the young up-and-comer.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
I grew up kind of in the country, in western Georgia. And then I moved a lot closer to Atlanta, and I started doing plays, and when I started doing film, I think I really started to love it.
It was only in my forties that I started feeling young.
I never knew where I was going to end up when I started film. I didn't start film to be famous. Of course, it's a public medium, and of course we chose a public medium because we like people to pay attention to the work that we're doing. But I didn't know what I was going to end up.
I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.
Before I started doing the film and when I found out I was going to be doing it, I just decided to pump up on the whole cardio stuff. Just in terms of stamina.
I feel like there's a lot of experience I have from doing TV animation that would be especially useful doing an animated film in terms of some efficiencies of the process that are necessary for TV, just because you have to crank out material every week, that could be applied to film.
I started in theatre, moved into film and television, and started doing voice work, which is funny because after a long time in film and television, you forget how much you rely on just a simple look on your face.
I was like, 'I'm only going to do musical theater for the rest of my life. I'm never going to do TV.' And whenever I'd get auditions for TV, I'd be like, 'Okay, whatever. I've got a lisp, so they're not going to take me.' And then I started doing this, and I guess it was my sister that got me into the acting thing.
When you're doing the work, film and TV are exactly the same. TV is just film in reduced pieces.
Triple H was so generous to me with his time and his knowledge when I was like the young up-and-comer wrestling Chavo, and every life event, after our matches, he would come back and give me just a list of things to work on which is exactly what I see going on in NXT, like how they're adopting a high-flyer style to the WWE audience.
Every TV actor wants to do a film, but the thing is that if you sign up for a film then you have to be ready to dedicate time, which can run up to 2-3 years.
I remember at the time - right before we started Feministing.com - doing a Google search for the term "young feminism" and the term "young feminist," and the first thing that came up was a page from the National Organization for Women that was about 10 or 15 years old. And it just struck me as so odd that there was all of this young feminist activism going on, but that it wasn't necessarily being represented online, that the first things in a Google search to come up were really, really old. I think to a certain degree we really filled a gap, and that's why we got such a large readership.
For me, as an actor, going from TV to film was interesting because TV and film are two very different things.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
You have film actors doing TV, rap stars doing TV, with everyone kind of crossing the line.
This site uses cookies to ensure you get the best experience. More info...
Got it!