A Quote by J. Kenji Lopez-Alt
Anyone who understands evolution knows that it doesn't necessarily lead from simpler to more complex life-forms. Rather, it leads to life-forms better suited to their environments.
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People get used to more complex forms of entertainment, and they become bored by simpler forms. Television has become more complex in order to feed our demand.
The first and the most important thing is to know that life is one and immortal. Only the forms, countless in number, are transient and brittle. The life everlasting is independent of any form but manifests itself in all forms. Life then does not die... but the forms are dissolved.
Life is not the unique property of Earth. Nor is life in the shape of human beings. Life takes many forms on other planets and far stars, forms that would seem bizarre to humans, as human life is bizarre to other life-forms.
The occurrence of successive forms of life upon our globe is an historical fact, which cannot be disputed; and the relation of these successive forms, as stages of evolution of the same type, is established in various cases.
I do not mean to say that such institutions act unilaterally on psychic life, or that they determine certain psychic outcomes. Rather, they exploit forms of fear and insecurity that are there for any population - no political organisation of life could ever fully do away with fear and insecurity; but some work to intensify, accelerate, and make more acute forms of fear, and to provide ideological focus for such intensified fears, at which point critical thinking has a fierce rival. The critical analysis that shows precisely how those forms of fear are promulgated, and for what purpose.
As in a Russian doll, however, the outer layers always contain an inner core. Instead of evolution having replaced simpler forms of empathy with more advanced ones, the latter are merely elaborations on the former and remain dependent on them. This also means that empathy comes naturally to us. It is not something we only learn later in life, or that is culturally constructed.
The existence of common features in different forms of life indicates some relationship between the different organisms, and according to the concept of evolution, these relations stem from the circumstance that the higher organisms, in the course of millions of years, have gradually evolved from simpler ones.
The evolution of cultures appears to follow the pattern of the evolution of species. The many different forms of culture which arise correspond to the "mutations" of genetic theory. Some forms prove to be effective under prevailing circumstances and others not, and the perpetuation of the culture is determined accordingly.
Life is one, said the Buddha, and the Middle Way to the end of suffering in all its forms is that which leads to the end of the illusion of separation, which enables man to see, as a fact as clear as sunlight, that all mankind, and all other forms in manifestation, are one unit, the infinitely variable appearance of an indivisible Whole.
We all pine for a time in life when things were simpler. Even when they weren't necessarily simpler, hindsight makes them look a lot simpler. The reality of it was that it wasn't.
There are three kinds of forms in the human figure: Ovoid forms - egg, ball and barrel masses; Column forms - cylinder, cone; Spatulate forms - box, slab and wedge blocks.
All forms are complex once you get to a really high level, and jazz and hip-hop are so connected. In hip-hop, you sample, while in jazz, you take Broadway tunes and turn them into something different. They're both forms that repurpose other forms of music.
The history of the creative progress of individual artists shows that, along with their spiritual growth and the increasing complexity of their inner life, their forms of expression become more complex.
I believe in the relatedness of all forms of life from the simplest to the most complex. We humans share the same family tree as all life on earth, back to the first stirrings in the primal ocean.
All models divide naturally...into two a priori parts: one is kinematics, whose aim is to parameterize the forms of the states of the process under consideration, and the other is dynamics, describing the evolution in time of these forms.
The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.
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