A Quote by J. Lynn
You do know him, so that's a lame excuse." It was a lame excuse, but it was the best I had. "How do you really ever truly know someone?" Brit smacked her hands to her cheeks and she shook her head. "He's not a serial killer." "Speaking of serial killers, everyone thought Ted Bundy was a really charming, handsome man. And look how he turned out. Psycho." Jacob stared at me. "He's not Ted Bundy.
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I don't think he could ever be a serial killer. He's way too shy. That Ted Bundy guy, he was pretty outgoing , from what I heard. -Jess about Doug p. 107
I defy anyone to watch interviews with Ted Bundy and not be taken by him. He was very handsome and charming and extremely intelligent and, you know, that can exist.
Karrin smiled faintly and shook her head. "He always said you knew ghosts. You're sure it was really him?" Mort eyed her. "Me and everyone else, yeah." Karrin scowled and stared into the middle distance. Mort frowned and then his expression softened. "You didn't want it to be his ghost. Did you?" Murphy shook her head slowly, but said nothing. "You needed everyone to be wrong about it. Because if it really was his ghost," Mort said, "it means that he really is dead." Murphy's face...just crumpled. Her eyes overflowed and she bowed her head. Her body shook in silence.
I auditioned for Ted Bundy and the director Matthew Bright and we really hit it off. He cast me as Bundy's girlfriend.
We also told her you weren't a serial killer," Brit interjected. Cam nodded. "That's a glowing recommendation. Hey, at least he's not a serial killer. I'm going to put that on my Facebook profile.
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.
Faris turned on him. "Why choose to wear black today, of all days? I know why I'm in black. Why are you? Mourning? He looked startled. "One does not wear mourning for a servant." You still don't understand, do you? He was not my servant." He regarded her anger, aghast. "What then? What else could he be? Her empty hands shook as she held them out to him. Her voice shook as she replied, "Glove to my hand." Slowly she closed her fists. "Everything.
How do I look?" Amanda asked. Jack shook his head ruefully as he glanced at her. No one could mistake the remaining flush on her cheeks, or the soft sparkle of her eyes, or her lusciously swollen mouth, for anything other than the results of physical passion. "Like you've been ravished," he said flatly. She astonished him by smiling. "Hurry, please. I want to go inside my house and consult a looking glass. I've always wanted to know what a ravished woman looks like.
My character [in Ted Bundy] was unaware of all the murders that were being committed by him, so I kind of tried to keep myself out of it and kind of keep an innocent point of view from it. The hard scenes for me were the sex scenes just because there's like sexual deviance going on and there was stuff that he want her to do and that was really disturbing.
... He didn't know how to say good-bye. His throat ached from the strain of holding back his emotions. “I don't want to leave you,” he said humbly, reaching for her cold, stiff hands. Emma lowered her head, her tears falling freely. “I'll never see you again, will I?” He shook his head. “Not in this lifetime,” he said hoarsely. She pulled her hands away and wrapped her arms around his neck. He felt her wet lashes brush his cheek. “Then I'll wait a hundred years,” she whispered. “Or a thousand, if I must. Remember that, Nikki. I'll be waiting for you to come to me.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
While we are being fascinated by the tales of famous serial killers and how they were brought to justice, the real serial killer goes about his business with hardly a thought to being caught.
I think that is funny to say because I've always loved her work and her strength and vulnerability, and the intensity of Evan's [Rachel Wood] performances. And to know her as a friend, know her as someone who we just have fun, whatever, and then see how present she is when she's working and how powerful she is. It was really awesome to get to sort of go into this different dimension with each other.
She wondered whether there would ever come an hour in her life when she didn't think of him -- didn't speak to him in her head, didn't relive every moment they'd been together, didn't long for his voice and his hands and his love. She had never dreamed of what it would feel like to love someone so much; of all the things that had astonished her in her adventures, that was what astonished her the most. She thought the tenderness it left in her heart was like a bruise that would never go away, but she would cherish it forever.
Do you know what they call themselves, all these people?" Alyss shook her head. How could she know? "Alyssians." Bibwit spelled it out. Her heart gave a little jump. Alyssians? No, they ask too much of me. "I don't think I'm ready for all of this," she said.
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