A Quote by J. M. Coetzee
Just as we bemoan the passing away of the Great Novel, a great novelist is likely to emerge, perhaps even from Denmark or Switzerland, to prove us wrong.
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I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
The great European novel started out as entertainment, and every true novelist is nostalgic for it. In fact, the themes of those great entertainments are terribly serious-think of Cervantes!
It is my contention that a really great novel is made with a knife and not a pen. A novelist must have the intestinal fortitude to cut out even the most brilliant passage so long as it doesn't advance the story.
I feel that Pride and Prejudice is an incredibly well constructed novel on every level. The dialogue is great. The character development is great. The plotting is great. The pacing is great. The language is great.
Perhaps a great love is never returned. Had it been given warmth and shelter by its counterpart in the Other, perhaps it would have been hindered from ever growing to maturity. It "gives" us nothing. But in its world of loneliness it leads us up to the summits with wide vistas - of great insights.
Perhaps passing through the gates of death is like passing quietly through the gate in a pasture fence. On the other side, you keep walking, without the need to look back. No shock, no drama, just the lifting of a plank or two in a simple wooden gate in a clearing. Neither pain, nor floods of light, nor great voices, but just the silent crossing of a meadow.
A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.
Mark Twain was a great traveler and he wrote three or four great travel books. I wouldn't say that I'm a travel novelist but rather a novelist who travels - and who uses travel as a background for finding stories of places.
I am a man and alive. For this reason I am a novelist. And, being a novelist, I consider myself superior to the saint, te scientist, the philosopher, and the poet, who are all great masters of different bits of man alive, but never get the whole hog....Only in the novel are all things given full play.
Even when I was very small, my mother treated me like a great novelist. She was like: 'Oh, I'm sitting at the breakfast table with Flaubert,' and would say, if she burned some food or was late arriving, 'Don't put this in your novel!'
I think that revolution means change. And if somebody feels like there's nothing wrong, everything's great even when it ain't, why would they ask for a revolution? Just stick the tubes into me and just pump away.
The novel is a perfect medium for revealing to us the changing rainbow of our living relationships. The novel can help us to live,as nothing else can: no didactic Scripture, anyhow. If the novelist keeps his thumb out of the pan.
I teach in M.F.A. programs now, and I think that's a great way to become a novelist, but I mourn that Pete Dexter and Joan Didion's route is maybe less likely because there are fewer of those jobs. I always liken it to playing piano in some great dive jazz bar. You didn't pick the songs, you played what people asked for, but you got your chops.
The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length.
Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.
Perhaps the sexual life is the great test. If we can survive it with charity to those we love and with affection to those we have betrayed, we needn't worry so much about the good and the bad in us. But jealousy, distrust, cruelty, revenge, recrimination ... then we fail. The wrong is in that failure even if we are the victims and not the executioners. Virtue is no excuse.
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