A Quote by J. Michael Straczynski
A lot of television tends to assume that audiences don't have the attention span or the IQ to follow a lot of stuff.
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I paid attention to the music industry and watching a lot of stuff on TV, behind-the-scenes stuff on old DVDs, and paying attention to interviews from artists and rappers and just really watching a lot of stuff as a kid.
There is no such thing as an attention span. There is only the quality of what you are viewing. This whole idea of an attention span is, I think, a misnomer. People have an infinite attention span if you are entertaining them.
I do comedy at a lot of colleges, and at the end of those shows, I take time to be a little more real with audiences. I try to inspire them to follow their dreams. When I was that age, it was incredible to hear stuff like that.
People assume that just because you get paid a lot of money and have a lot of attention that all of the sudden you're guaranteed this many shots. I have to prove that every day in practice.
There's a lot of politics in television and a lot of in-fighting and all that sort of stuff, but in the end, we are purveyors of entertainment. Viewers are not really bogged down in who's doing what and who hates who and who's doing best in the ratings. They watch television to be entertained.
David Stern is the mastermind behind a lot of stuff, he controls a lot of stuff, he dictates a lot of stuff so he's going to make himself look good.
I think jazz was just seeking respect and validity because a lot of people didn't believe it was a viable art form, and then they got a lot of attention in Europe. A lot of bands that can't catch flies in the US have these followings in Europe, [but] it's less and less the case. American audiences are way more sophisticated and adventurous than anyone thinks that they are.
A lot of the stuff I've done is inspired by the location. Usually my works are pretty site-specific. There are a lot of shows that are older works, but often when I do new work for a show, it tends to talk to the space or the idea of the museum.
TV works at such amazing deadlines and the audiences you're catering to is a very different audience than the one that watches films as the attention span is less.
I've got a lot to say about television. There's a lot going on in television right now and I feel like a huge part of television.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
The 'Womanthology' book got a lot of people jobs, inside and outside the industry, and I think stuff like that tends to be really effective. You have something in print that you can point an editor or a publisher to, and it makes a huge difference for a lot of people.
We don't tell the officials to change the standard for the playoffs, but as we all know, time and space tends to evaporate very quickly in a playoff game; there tends to be a lot more physicality and a lot more adjustments in the course of a series.
People have a very short attention span when it comes to television, but nobody forgets the movie you do.
I don't read an awful lot of fiction and when I do, it tends to be lightweight stuff.
I'm not really concerned about boundaries. I just follow my conscience and my heart. Follow your heart. That's what I do. Compassion is something I have a lot of, because I've been through a lot of pain in my life. Anybody who has suffered a lot of pain has a lot of compassion.
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