A Quote by J. Michael Straczynski
When the 'Seinfeld' show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. 'Thor' is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
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When the Seinfeld show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. Thor is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.
I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
John Kricfalusi is very talented; he used to really piss me off. But I did good work, you know? The Ren & Stimpy show without me was totally unsuccessful. So if there's anybody listening out there with any doubts about what I can do for a show: Try me. The thing is, I wasn't about to stop doing a job.
I have a dark side; it's been pretty well documented. It wouldn't be bad to show that in some light in my work...It's something I no longer fear doing and am actually excited about doing.
One of my co-workers at Ralph Lauren heard about the show, and when she got back to the office, said; Carson, you have to call Bravo. They're doing a show. You're perfect for it.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
'Seinfeld' was an amazing show. It's iconic and defined a whole generation of comedy writers - but by their own admission, that show was about nothing.
My last couple of films, 'ABCD 2' and 'Rock On 2,' didn't do as well as expected. It affected me quite a bit, but then easier said than done, I had to stop thinking about it and continue doing what I love doing best!
That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.
I was about 20 when my mom got sick with cancer and it was bad. It was very scary and at the time I was doing my first screenplay and I was on deadline and was alone with my father in Massachusetts. I said, "Pop, you know, I don't how I'm going to work. I don't know how I can get this done. You know, I got to hand this script in and I can't think about anything but Mom." He said, "Well, you know, now is the time when you're going to learn what it means to compartmentalize." And those words really had an impact on me.
Don't cry." "How can I not?" I asked him. "You just said you loved me." "Well, why else did you think all of this was happening?" He set the book aside to wrap his arms around me. "The Furies wouldn't be trying to kill you if I didn't love you." "I didn't know," I said. Tears were trickling down my cheeks, but I did nothing to try to stop them. His shirt was absorving most of them. "You never said anything about it. Every time I saw you, you just acted so... wild." "How was I supposed to act?" he asked. "You kept doing things like throwing tea in my face.
Well,” said the frog, “what are you going to do about it?” “Marrying Therandil? I don’t know. I’ve tried talking to my parents, but they won’t listen, and neither will Therandil.” “I didn’t ask what you’d said about it,” the frog snapped. “I asked what you’re going to do. Nine times out of ten, talking is a way of avoiding doing things.
I'm doing a very funny show in which we talk about issues. I speak at Aids charities and things. It's great to do something fun with our days and yet we're told we're doing something important.
I was doing it the amateur way, doing everything myself till 'Naalaya Iyakunar.' They said, 'You need crew members'; they insisted on having proper production values. So I learnt a lot about making films for that show.
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