A Quote by J. Michael Straczynski

My philosophy: find what it is you want to say, walk in the room, say it, and get the hell out. — © J. Michael Straczynski
My philosophy: find what it is you want to say, walk in the room, say it, and get the hell out.
I would walk into a room at a young age and I'd say, 'Hi, Dad,' and he would say, 'SON, PROJECT YOUR VOICE. LET THEM KNOW YOU'RE IN THE ROOM. SHOULDERS BACK. CHEST OUT.'
The key to being a wonderful writer is not to write. You just get out of the way. Leave room for God to walk in the room. And when I write something that I know is right, I get on my knees and say 'thank you.'
I'm not going to Russia and tell them to go to hell and think - that's not the way things are done. You chip away at something and you hope that there will be dialogue and that the situation can get better. You don't just go in there with guns blazing and say well, to hell with you because they're going to say to hell with you and get out of the country.
If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
When you come into the theatre, you have to be willing to say, 'We're all here to undergo a communion, to find out what the hell is going on in this world.' If you're not willing to say that, what you get is entertainment instead of art, and poor entertainment at that.
Pretending is the grease of non-relationships. Pretending is how you and I get through the day without ever having to know each other. When I walk in the room, you say to me, 'How are you?' Well, you don't want to know. And, frankly, I don't want to tell you. So I just say, 'Fine,' and you go, 'Fine.' And off we go.
Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem's room and feel the walls for a light switch. I want them to waterski across the surface of a poem waving at the author's name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
Generally in the Little League you're up against a good pitcher who throws like hell. What does the coach say? Get a walk. Isn't that beautiful way to learn to hit? For four years you stand up there looking for a walk.
You can't learn how to have presence. I walk into a room and people say 'I wonder where he's been?' When other people walk in, they say 'I wonder where he's going?'
As you get older, you mellow, but there's a natural propensity to watch what you say, 'cause you learn that you want more time and space to craft what you want to say because you're less likely to want to say impetuous things, or things that aren't thought-out properly.
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.'
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.
It's extraordinary to think that if you walked into a room and said you had never heard of Hamlet, you would be regarded as a Philistine. But you could walk into the same room and say, 'I don't know what a proton is,' and people would just laugh and say, 'Why should you know?'
You don't want to say somebody did a great job of acting. You want to say, "Where did he find that person? How did he get that factory worker to come out of the factory and be on camera?" You want to believe that person is real.
I always say to young people, "Get the hell out of the United States." Especially if you're young, like if you're 21 or something. Let's say you don't speak any Italian. You're 21. Everyone's going to want to sleep with you and be nice to you. And the best way to learn a language is to sleep with someone from that country.
When people ask me what philosophy is, I say philosophy is what you do when you don't know what the right questions are yet. Once you get the questions right, then you go answer them, and that's typically not philosophy, that's one science or another. Anywhere in life where you find that people aren't quite sure what the right questions to ask are, what they're doing, then, is philosophy.
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