A Quote by J. Michael Straczynski
There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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The thing I try to get across to the writers - and I do a lot of writing, too - is that when I do stand-up, nothing I talk about is funny. Everything is really sad and tragic and then I make it funny.
I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?
Happiness takes work. It doesn't always fall off trees or come easily. You really have to be someone that doesn't fall prey to being sad. I don't want sad, I can't be sad, I don't want to be about sad; I avoid sad. It inherently envelops you, so do everything that you can to escape it all the time.
Everything is a meaningless struggle against nothing and when people say that the world has become a better place that is a false development-optimism. Nothing exists which ever becomes better. Everything stays the same. Somehow, there is nothing. That is so sad. Nothing to come to. Everything is an illusion. A very sweet illusion.
When you have passion it changes your perspective on things, you want every tiny detail to be right. You want funny moments to be funny, sad moments to be sad. You wanna give your all.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
When I was in college, I had a friend who was an artist and her theory was that all the best art in the world is funny/sad. That was her favorite genre. Funny/sad are probably my two favorite tones.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
I think I have a dark view of the world. I have to make everything funny, otherwise it all seems so sad.
You have to laugh at things in order to let them be what they truly are. Because nothing is only sad. Nothing is only funny. There's context to all of those things.
There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story.
Death isn't sad. There's nothing sad about it. Living a shitty life, that's sad.
Superficial people are those who simply go along without a question in the world-asking nothing, troubled by nothing, examining nothing. Whatever people around them do, they do, too. That's a sad and plastic life-routine and comfortable, maybe, but still sad.
I don't trust tragedies much. It's easy to make a person sad by showing him something tragic. We all recognize when sad things happen: someone dies, someone loses a loved one, young love is crushed. It's much harder to make a man laugh-what's funny to one person isn't funny to another.
Steve Yarbrough's Safe from the Neighbors will take your breath away. Ambitious, funny, sad, smart, and beautifully crafted, it's everything a novel should be.
She was sad about what happened to Kostos. And someplace under that, she was sad that people like Bee and Kostos, who had lost everything, were still open to love, and she, who'd lost nothing, was not.
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