A Quote by J. P. Donleavy

When I die I want to decompose in a barrel of porter and have it served in all the pubs in Dublin. — © J. P. Donleavy
When I die I want to decompose in a barrel of porter and have it served in all the pubs in Dublin.
When I die, I want to decompose in a barrel of porter and have it served in all the pubs in Dublin. I wonder would they know it was me?
But one of the most fantastic things about Ireland and Dublin is that the pubs are like Paris and the cafe culture. And Dublin, in many ways, is a pub culture.
Everyone knows everyone because we've all worked in theatre. All of our 'Dublin Murders' crew came from 'Game of Thrones'. Also, we only drink in two pubs in Dublin, so we always bump into each other.
Dublin was turning into Disneyland with super-pubs, a Purgatory open till five in the morning.
Nobody is trying to avoid Shawn Porter. Look at all the named fighters that fought Shawn Porter, because nobody is avoiding Shawn Porter. Nobody is scared of Shawn Porter. Shawn Porter can beat you. He's tough, durable and comes to win but nobody's scared.
All things are flowing, even those that seem immovable. The adamant is always passing into smoke. The plants imbibe the materialswhich they want from the air and the ground. They burn, that is, exhale and decompose their own bodies into the air and earth again. The animal burns, or undergoes the like perpetual consumption. The earth burns, the mountains burn and decompose, slower, but incessantly.
All the body wants to do biologically is decompose. Once you die, it's, 'Let me out here! I'm ready to shoot my atoms back into the universe!'
Coming from New York, I know that if you go by a delicatessen, and you put a sweet cucumber in the vinegar barrel, the cucumber might say, "No, I want to retain my sweetness." But it's hopeless. The barrel will turn the sweet cucumber into a pickle. You can't be a sweet cucumber in a vinegar barrel.
Presumably what happened to Jesus was what happens to all of us when we die. We decompose. Accounts of Jesus's resurrection and ascension are about as well-documented as Jack and the Beanstalk.
When I die Dublin will be written in my heart.
When I die Dublin will be written on my heart.
Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.
We thought everybody knew by now that barrel length has almost nothing to do with accuracy. I believe the myth of the superior accuracy of a long rifle dates from colonial days, when the only way to extend sight radius was to make the barrel as long as possible. It is interesting how long it takes a myth to die.
My Dublin wasn't the Dublin of sing-songs, traditional music, sense of history and place and community.
I tell my audiences today that I served 10 years in Nashville! That's a joke, of course; I was grateful for the work. Bob Ferguson, who produced Connie Smith, Porter Wagoner and Dolly Parton, started calling me in.
My dad was Dublin born and bred - a Dublin boy - but he always pushed me to play for what was Wales Under-15s in my day.
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