A Quote by J. Paul Getty

Jack Dempsey and I became friends in the very early 1920s. — © J. Paul Getty
Jack Dempsey and I became friends in the very early 1920s.
In Jack Dempsey's early days he had a fight contract, which paid him two dollars per fight for the fights he won. He received nothing for the fights he lost. Jack Dempsey said that in his early days he was knocked down a lot of times and he usually was tempted to stay down because he knew that no one would hit him again until he started to get up. But Jack was a hungry fighter and he knew that if he was going to eat, he must get up in order to get the two dollars. He tells of one occasion when he was knocked down 11 times in one fight, and 11 times he got up in order to win the $2.
I did six years of planning to win the championship from Jack Dempsey.
My mother taught me how to read very early on and at school I was ahead of everyone in class... Reading was always something that I liked because I could do it alone and I was alone a lot of the time with my mother working the hours she did. Books became my friends very early on.
For sheer strength of character, I wouldn't have dared to cross swords with Callas. I would rather have gone six rounds with Jack Dempsey.
My four friends were John Kerr, who became a star, Paul Newman, Jimmy Dean, and Jack Lemmon.
I became good friends with Jack Whitehall. I think he's great, such a great dude, and really funny.
Right now Jack lives with me. Jack is my Jack Russell. I also have a Yorkie named Ginger, but Jack and Ginger can't be in the same place at the same time because she is very jealous. Even if Jack's not in the same state, she would growl if she heard his name.
In the early 1990s, I was signed as a singer to the same label as Robyn. She was in her early teens, and I was in my twenties, so we didn't hang out, but our paths crossed so many times that we slowly got to know each other and became friends.
Go find very early versions of things: the first TV pilot of a later-successful TV show; early audition tapes by famous actors; early demos by famous musicians. Focus on these early examples, not what they became over the next 20 years. Remember that what you're doing will constantly improve.
Gene Tunney called Gibbons 'the perfect boxer.' Gene said he learned more about the technique of boxing and punching from watching Mike training in New York gymnasiums and in actual fights in Gotham than he learned from any other individual associated with the fistic sport. Moreover, Tunney has told me it was Gibbons' clean-cut victory over Jack Dillon, the mighty light heavyweight from Indianapolis, that inspired in him the belief he could whip Jack Dempsey.
I was the best street fighter in history when I was growing up on the Lower East Side. Hell, I never lost a street fight. Never. I thought I could lick Jack Dempsey or Joe Louis or anybody. I was fantastic.
I could do John Wayne, Jack Benny, Jack Kennedy, Lyndon Johnson and entertain my friends. But I never seriously considered it as a career choice.
I was not ambitious as a child. My father encouraged me to enter competitions and contests, which became very much part of my life. I was not the typical teenager. I was very closed, shy and didn't hangout with my friends at disco's. My parents wanted me at home. Singing became my life, I traveled a lot on the job, and my job became my dream.
House Hardy - myself and Brother Nero - are pioneers. My style of booking during early independent bookings was very similar to what 'Ring of Honor' later became, which is what WWE later became.
The Nazi Party was, in the early 1920s, but one among many nationalist and volkisch radical political groups. It was catapulted to prominence with the onset of economic recession in the late 1920s... The Nazis owed their spectacular to a combination of two discrete sets of factors: first, their distinctive organisation and strategy; and secondly, the wider socio-economic conditions which created climates of opinion and sets of grievances on which the Nazis could prey.
Harper Lee and Truman Capote became friends as next-door neighbors in the late 1920s, when they were about kindergarten age. From the start, they recognized in each other "an apartness," as Capote later expressed it; and both loved reading. When Lee's father gave them an old Underwood typewriter, they began writing original stories together.
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