A Quote by J. R. R. Tolkien
There I lay staring upward, while the stars wheeled over... Faint to my ears came the gathered rumor of all lands: the springing and the dying, the song and the weeping, and the slow everlasting groan of overburdened stone.
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In Prison Wearily, drearily, Half the day long, Flap the great banners High over the stone; Strangely and eerily Sounds the wind's song, Bending the banner-poles. While, all alone, Watching the loophole's spark, Lie I, with life all dark, Feet tethered, hands fettered Fast to the stone, The grim walls, square lettered With prisoned men's groan. Still strain the banner-poles Through the wind's song, Westward the banner rolls Over my wrong.
'Yea and I beheld Sisyphus in strong torment, grasping a monstrous stone with both his hands. He was pressing thereat with hands and feet, and trying to roll the stone upward toward the brow of the hill. But oft as he was about to hurl it over the top, the weight would drive him back, so once again to the plain rolled the stone, the shameless thing. And he once more kept heaving and straining, and the sweat the while was pouring down his limbs, and the dust rose upwards from his head.
I had got this far, and was thinking of what to say next, and as my habit is, I was pricking the paper idly with my pen. And I thought how, between one dip of the pen and the next, time goes on, and I hurry, drive myself, and speed toward death. We are always dying. I while I write, you while you read, and others while they listen or stop their ears, they are all dying.
Château and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well-thousands of acres of land-a whole province of France-all France itself-lay under the night sky, concentrated into a faint hairbreadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star.
Staring at the stars was like staring backward in time, since some stars are so far away that their light takes millions of years just to reach us. That we see stars not as they look now, but as they were when dinosaurs roamed the earth. The whole concept just struck me as…amazing somehow.
She says nothing at all, but simply stares upward into the dark sky and watches, with sad eyes, the slow dance of the infinite stars.
I tell my students, with a feeling of pride that I hope they will share, that the carbon, nitrogen, and oxygen that make up ninety-nine per cent of our living substance were cooked in the deep interiors of earlier generations of dying stars. Gathered up from the ends of the universe, over billions of years, eventually they came to form, in part, the substance of our sun, its planets, and ourselves. Three billion years ago, life arose upon the earth. It is the only life in the solar system.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
He lay on his back in his blankets and looked our where the quartermoon lay cocked over the heel of the mountains. In the false blue dawn the Pleiades seemed to be rising up into the darkness above the world and dragging all the stars away, the great diamond of Orion and Cepella and the signature of Cassiopeia all rising up through the phosphorous dark like a sea-net. He lay a long time listening to the others breathing in their sleep while he contemplated the wildness about him, the wildness within.
I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then, "Nowhere Man" came, words and music, the whole damn thing, as I lay down...Song writing is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed sleep.
For a while I didn't have a car . . . I had a helicopter . . . no place to park it, so I just tied it to a lamp post and left it running. [slow glance upward]
Lady Dance's music wasn't a magic charm. I'd misunderstood. We had all failed to understand. The song and dance didn't stop us dying. It just stopped the fear of death swallowing us up while we were still alive. 'Rejoice,' came the soft voice of Lady Dance in my mind. 'Watch the moon and stars...' Death had ruled my life till I met Lady Dance. Her dance had set me free.
And when midst fallen London, they survey The stone where Alexander's ashes lay, Shall own with humbled pride the lesson must By Time's slow finger written in the dust.
I am the master! I stretch forth my hands, even to the skies! I lay my hands upon the stars, as on the crystal wheels of the harmonica. Now fast, now slow, as my soul wills, I turn the stars. I weave them into rainbows, harmonies. I feel immortality! I create immortality!
I saw 'Joy Luck Club' when it came out, so that was early mid-'90s, and I remember seeing it with my long-time collaborator, Mina Shum. We'd just done 'Double Happiness,' and we saw this movie, and we were weeping. Like, shuddering weeping. Weeping more than really the film deserved.
Literature, properly so called, draws its sap from the deep soil of human nature's common and everlasting sympathies, the gathered leaf-mound of countless generations, and not from any top dressing capriciously scattered over the surface.
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