A Quote by J. R. R. Tolkien
And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.
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My dad took me for an audition once, to show me, OK, you want to be a child actor, this is what its like. I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing Memory. I was terrible. Terrible.
My dad took me for an audition once, to show me, 'OK, you want to be a child actor, this is what it's like.' I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing 'Memory.' I was terrible. Terrible.
From each one of them rose separate columns of smoke, meeting in a pall overhead, and through the smoke came stabbing flashes of fire as German shells burst with thudding shocks of sound. This was the front line of battle.
Nobody sang better than my mom. That's why I've never even thought of singing for singing sake. I've always thought of a song as an acting piece, as a way to say something.
Rock n' roll was a bad and evil thing. l remember once I was singing a Barry Manilow song, "Mandy," In the back seat of the car. It came on the radio, and I kind of sang with it, and I got smacked In the mouth because that song was "evil."
I started singing with the Amboy Dukes in '87. I sang 'Oh Baby Please Don't Go,' the old Van Morrison song by Joey Smith. I started singing more from then on.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
Before the Berlin Wall came down, we played behind the Iron Curtain and sang, 'Born in the U.S.A.,' and I thought, 'We're all going to die. The man is going to get us all killed.' But then you saw all these kids with the American flag and German flags together and singing the song, and it was, wow, like 'We Shall Overcome.'
I don't really get heckled! I think it's because I might burst into song at any moment and even rude people have a weird respect for not interrupting singing!
Now while they were thus drawing towards the gate, behold, a company of the heavenly host came to meet them; to whom it was said by the other two Shining Ones, These are the men that have loved our Lord when they were in the world, and that have left all for his holy name; and he hath sent us to fetch them, and we have brought them thus far on their desired journey, that they may go in and look their Redeemer in the face with joy. Then the heavenly host gave a great shout, saying, 'Blessed are they that are called to the marriage supper of the Lamb.'
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
A burst of harmony so brilliant that it almost overwhelmed them surrounded Meg, the cherubim, Calvin, and Mr. Jenkins. But after a moment of breathlessness, Meg was able to open herself to the song of the farae, these strange creatures who were Deepened, rooted, yet never seperated from each other, no matter how great the distance. We are the song of the universe. We sing with the angelic host. We are musicians. The farae and the stars are the singers. Our song orders the rhythm of creation.
I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
I just wanted to finally release something that sounded really fun, and 'Must Be Love' is that song! I'm telling you, I went to the Philippines and sang that live for everyone, and everyone was singing along, and I thought, 'Wow!' Everyone was singing this song back to me because everyone loves love.
I sang 'All Of Me' at the wedding. I sang 'Stay With You' from my first album. And then Stevie Wonder came up and sang 'Ribbon In the Sky.' It was impromptu... It was cool... He's always been a friend and a mentor to me.
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