A Quote by J. R. R. Tolkien
Nobody believes me when I say that my long book is an attempt to create a world in which a form of language agreeable to my personal aesthetic might seem real. But it is true.
Related Quotes
My name is growing all the time, and I’ve lived a very long, long time; so my name is like a story. Real names tell you the story of the things they belong to in my language, in the Old Entish as you might say. It is a lovely language, but it takes a very long time to say anything in it, because we do not say anything in it, unless it is worth taking a long time to say, and to listen to.
I would say that Barack Obama has always been a real optimist about what can be accomplished. He believes that government can be used to create systemic, long-term, real change. And the first lady is more of a skeptic.
When I write a book I write the best that I can and so much of that for me is following the book's demands, the subject's requirements - I love books, I always have. They have always been one of the places where I have felt very happy in the world. When I was younger, I loved to read genre fiction - I loved the magic-carpet ride of story! Now I need other things - I need the beautiful particular and strange language and form which brings a writer's book to life in me and speaks to my intellect, and, dare I say it, to my soul.
As a reader, I want a book to kidnap me into its world. Its world must make my so-called real world seem flimsy. Its world must lure me to return. When I close the book, I should feel bereft.
My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
There is hardly any personal defect... which an agreeable manner might not gradually reconcile one to.
My personal view is the true long-term storage is mineral carbonates, which is some form of accelerated weathering.
I think Stephen Crane too becomes trapped in a myth that poetry should be operating at a certain level, that there's the real world and the reflection of that real world. I don't exist in any of these historical periods. I exist in the period in which I'm writing the book. So I only attempt to frame this in a way that I myself relate to.
You have this world of mathematics, which is very real and which contains all kinds of wonderful stuff. And then we also have the world of nature, which is real, too. And that, by some miracle, the language that nature speaks is the same language that we invented for mathematics. That's just an amazing piece of luck, which we don't understand.
How can I look at it and say, there it is - it's real. This is what is happening. It might even be a catalyst for more personal growth for me. It might be a blessing in disguise. It might not be. What's my best course of action? How can I be skillful?
No book includes the entire world. It's limited. And so it doesn't seem like an aesthetic compromise to have to do that. There's so much other material to write about.
What makes fantastic declarations believable is, in part, the vehemence with which they're proffered. Again, in the world of spirituality as well as of pop psychology, intensity of personal belief is evidence of truth. It is considered very bad form - even abuse - to challenge the veracity of any personal testimony that might be offered in a twelve-step group or on a talk show, unless the testimony itself is equivocal... Whatever sells, whatever many people believe strongly, must be true.
It's not true that you should first think up an idea for a better world and only then "put it into practice," but, rather, through the fact of your existence in the world, you create the idea or manifest it - create it, as it were, from the "material of the world," articulate it in the "language of the world."
Nobody knows why we're alive; so we all create stories based on our imagination of the world; and as a community, we believe in the same story. In India, every person believes his/ her own mythosphere to be real. Indian thought is obsessed with subjectivity; Greek thought with objectivity.
Beauty is the main positive form of the aesthetic assimilation of reality, in which aesthetic ideal finds it direct expression.
We often think that language mirrors the world in which we live, and I find that's not true. The language actually makes the world in which we live. Language is not - I mean, things don't have any mutable value by themselves; we ascribe them a value.
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