A Quote by J. R. Smith
I'd rather take a contested shot than an open shot any day ... It's kind of boring when you take open shots
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When you open up the court, now the point guards can see, they can score, and they're not afraid to take shots. Before it was like, 'No, don't take that shot. That's a bad shot. Pound it inside. Pound it inside.' And the philosophy has gone a little bit away from that, because it makes sense to do it the other way.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
It's been a part of my game for life. It's tougher to finish in the lane so you've got to find different areas to score efficiently and the mid-range contested shot is a shot a lot of teams will live with. And it's a shot I'm willing to live with as well just because I've gotten so many shots at it and I'm comfortable with it.
I don't take any type of shots. I feel like I take the shots that are necessary and open.
When it's a good shot, open, in rhythm with our offense you've got to take it. If it's open you've got to have confidence to shoot it and knock it down.
When you have an open shot, it's an open shot and it's not about your role or the offense.
I think he takes a good shot, I take a good shot too, but taking too many shots is not good for any fighter. And it's not really a reputation you want.
We've been conditioned to understand music as a field where you get discovered, and you're always trying to find that end. So 'my shot' is speaking of a variety of shots. When you're a rapper, you look at every shot as the one you're supposed to take.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
Once I started working with the Polaroid, I would take a shot and if that shot was good, then I'd move the model and change the lighting or whatever... slowly sneaking up on what I wanted rather than having to predetermine what it was.
Where I'm from, we don't take shots over two guys. When someone is doubled, it's the next man's job to take the shot and make it.
As long as I can take open shots or good shots, I'm going to take it.
There's times where I could take all the shots every time I touch the ball, but that's not me. I just play a team game and just take open shots.
When you play a tiebreaker, you dont have time to think of anything, ... You have to go for your shots because one shot can make such a difference. Thats the kind of shot that can break an opponent.
I have always used rather large execution squads, since I declined to use men who were specialists for shots in the neck (Genickschussspezialisten). Each squad shot for about one hour and was then replaced. The persons who still had to be shot were assembled near the place of the execution, and were guarded by members of those squads, which at the moment did not take part in the executions.
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