A Quote by J. R. Smith
It's difficult losing, but it's even more difficult when you didn't make a shot. I could see the ball just didn't go your way on an out-of-bounds play or something like that, but when you're just not making them, it's frustrating.
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If you go out and practice super hard and then you go play in the game, it's going to be a lot more natural for you. You'll be able to catch the ball and think fast and start making plays, making people miss and turning it into the next phase of the play rather than just catching the ball and being surprised and happy that you caught the ball.
I just want to go out and play the right way, make sure I get my teammates the ball and then also bring the energy on defense. That's something that I know I can do each and every game, whether my shot's falling or not.
I certainly don't see the humour in my work as something that detracts from its seriousness. It's just a way of making difficult messages more palatable.
To make a successful film from a successful play is probably much more difficult than making one from scratch, just as any carpenter will tell you that it is more difficult to restore an old house than to build a comparable new one.
I always feel like I just wanna go, and that's something that I'm learning every day - understanding to think more instead of just going because I see an advantage or I see that 'oh, I can make this move, I can make this shot.'
I realized, "Gee, you're making the same film over and over here." I just kept making them for my own amusement, but also with this thought in my head that I could collect enough songs to make an album out of it. I am attracted to non-dramatic moments in life. The idea of a coffee break is not something you'd think of as being an important part of your day, so these shorts were like little free zones in which we could just play around.
Now the Thanksgiving meal is just so unnecessarily difficult. I mean even mashed potatoes - it's like the most difficult kind of, you know, medieval idea. All right, instead of just cooking them, why don't you spend, like, eight hours peeling them and then we'll have to mash them up. It feels like prison labor, really.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
For me it's more difficult to play against the quicker wingers, but for the team it's perhaps more difficult to face players that are good passers, because one through ball can take the whole team out of the game.
He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
For me, it's always more difficult and slightly exposing to play something that's close to yourself. I always like to try to hide, just because I can't stand the way I look. But, I think it's important to change every time and come up with something that's as interesting as it can be, for your characters.
To just let go, and not pick everything to death. To just let go and enjoy what you had. To just let go and not make everybody around you miserable with your own internal dialogue. To just let go and be happy. So simple. So difficult. So terrifying.
It makes me sick when I see a guy just stare at a loose ball and watch it go out of bounds.
A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
I'm often surprised by classical music and musicians. I've met a large number of them because my wife works for the Boston Symphony, and I'm in that world a lot now. I'm surprised at how difficult it is for people who are classically trained to read music or to memorize music, how difficult it is for them to improvise, to just go off and play. It's sort of, it's like terra incognita. They just, (makes noise) they don't get it.
My personality, when tasked with creating meals, goes something like this: Is there a way we can make this more difficult? Because let's do that. I don't mean to complicate things. It's just - why buy pre-packaged potato salad when you can spend your morning boiling potatoes and flipping out because there's no dill in the house?
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