A Quote by J. Robbins

Tim [Omundson] is just so wonderfully delicious. He has the sexiest beard on television. He's such a fabulous actor, and a great character. — © J. Robbins
Tim [Omundson] is just so wonderfully delicious. He has the sexiest beard on television. He's such a fabulous actor, and a great character.
I'm just a singer in a fabulous dress, with great hair and a beard.
Hey, I'm just a singer in a fabulous dress, with great hair and a beard!
I love Tim Curry as the Devil in 'Legend;' the prosthetics that are on him are so over the top sensually evil, and Tim takes full advantage, is just oozing with the role. The makeup and prosthetics, and his character are seamless.
Actors always direct themselves. A good actor shows up onset ready, especially in television, and you've done your homework and you know your character. The director may have some variation on what you're thinking or they may have a different interpretation of the scene. So you come prepared to shoot and you've given yourself notes. In television, it may be the first time you're meeting this director and you've been living in this character's skin for a couple of years. It's always great to have fresh perspective and fresh insight, but no one knows your character better than you do.
In fact, when I was voted for the sexiest woman for two years, it was a fabulous feeling.
I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
One of the joys of cinema is that, given the right circumstances, and the genius director, an incredibly wonderfully actor can become the embodiment of his character.
You'll be offered the 'lead' in this new hot film with such-and-such A-list director, 'a fabulous part' - a fabulous part? A fabulous part is a character with a soul, who starts here and goes to there, you know? There aren't many of those.
Honestly, when you think of any great action hero or any great hero out there or great character actor, you kind of transcend the character. You just don't love the character, you love the guy. In any of the great action stars, you see the guy doing the work.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
The ability to stretch my range into all genres and characters is something I take great pleasure in doing. I thoroughly enjoy it. I consider myself a character actor, though some think of me as a leading man. As an actor, I love shifting gears from character to character, and the more range I can expand, the better.
I'm a leading lady character actor; I don't fit in one slot simply. I've always been used to a certain amount of struggle, and that prepared me wonderfully for a mature age.
The camera lens or the television camera is still just a proscenium arch. And as a great old character actor once said to me, wherever you're acting, you reach up and take hold of the proscenium arch, and you pull it down around your shoulders.
When I was coming up in the '80s television, if you were on television that meant either you were a young actor just coming up like I was, or you were an older actor whose career was over and you had to go on television.
Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.
About two-thirds of the face of Marx is beard, a vast solemn wooly uneventful beard that must have made all normal exercise impossible. It is not the sort of beard that happens to a man, it is a beard cultivated, cherished, and thrust patriarchally upon the world.
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