A Quote by J. Robert Oppenheimer

When you see something that is technically sweet you go ahead and do it. — © J. Robert Oppenheimer
When you see something that is technically sweet you go ahead and do it.
When you see something that is technically sweet, you go ahead and do it and you argue about what to do about it only after you have had your technical success. That is the way it was with the atomic bomb.
I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.
I always say, "If you see something is wrong in your neighborhood, go ahead and change it. Don't wait for somebody else to do it." This is pretty much what I do.
You’re so sweet,' Frypan said with a snort. 'Go ahead and die with Thomas. I think I’ll sneak away and enjoy living with the guilt.
I mean, if you want to hurt yourself, go ahead. It's like, if you want to jack off, go ahead, just don't 'spoo' on a public bus or something . Do whatever you want to do. Just don't get it in somebody else's face.
I think I've spent so much time playing characters that are so far away from me and learning how to technically build and how to technically put something on top of you.
Sweet is the rose, but grows upon a brere; Sweet is the juniper, but sharp his bough; Sweet is the eglantine, but stiketh nere; Sweet is the firbloome, but its braunches rough; Sweet is the cypress, but its rynd is tough; Sweet is the nut, but bitter is his pill; Sweet is the broome-flowre, but yet sowre enough; And sweet is moly, but his root is ill.
You go ahead, stand still, or go backwards in life. Your objective should be to go ahead.
When I get a script, I try to create something and where we're going to go with a scene, because I don't know what we're going to see ahead, which is really cool.
I don't know how to say it, but after last night I feel different. I seem to see ahead, in a kind of way. I know we are going to take a very long road, into darkness; but I know I can't turn back. It isn't right to see Elves now, nor dragons, nor mountains, that I want - I don't rightly know what I want: but I have something to do before the end, and it lies ahead, not in the Shire. I must see it through, sir, if you understand me.
The thing that you learn in directing is that when you're on the floor, no matter how complex the shooting is...you have to remain absolutely sensitive to every nuance of the behavior of the people around you. Because, ultimately, if you don't keep in mind the overall humanity, then the machine takes over and suddenly all you have are technically fine shots, technically good performances. The story's being told, but something's lacking, something mysterious, indefinable.
Would it be all right? Would it be all right to go ahead and feel? Go ahead and count on something?
I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].
Primates are the only animals on the face of the earth that can taste sweet and see color. We were designed by nature to see, grasp, eat, and enjoy the flavor of colorful, sweet fruits.
The best way to keep something bad from happening is to see it ahead of time... and you can't see it if you refuse to face the possibility.
Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.
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