A Quote by Jaboukie Young-White

Twitter is comedy writing. It's one-liners that give way to fully fleshed-out thoughts. — © Jaboukie Young-White
Twitter is comedy writing. It's one-liners that give way to fully fleshed-out thoughts.
But I don't know. Pee-wee just kind of popped out one day, pretty much fully fleshed-out and fully formed.
Twitter is basically just writing a bunch of one-liners - it's a short form or whatever.
I have hundreds of Word documents filled with pages of one-liners. If I begin to write a story, or if one of my thoughts leads to more than a couple paragraphs of writing, I'll go into these documents and pull out lines that I think would work with it.
I don't really want to play parts that I think are not fully developed or fleshed out, especially with female roles.
I love Twitter. It doesn't keep me from writing and I think it's a really convenient scapegoat when the truth is that the real issue is self-control. I am totally fine admitting i have none. I'm not going to blame Twitter for affecting my writing. And also, Twitter doesn't affect my writing.
For reasons that I don't fully understand, Twitter is a place where I don't feel ashamed to say my most shameful thoughts.
I think Twitter is kind of fun, it's not deep and it never will be, but it's a great way to communicate one-liners and to sort of see what people are laughing about. It's a terrific source of misinformation.
Small wastebasket liners, $1.17 ... tall wastebasket liners, $2.29 ... garbage can liners, $3.98 ... I think I just spent $7.44 buying something I'm going to throw away.
When you think about email or IMing, why aren't you writing back? I can see your avatar, I know you're online, why aren't you writing me back? But with Twitter, everybody sends their responses to Twitter, and Twitter then sends them out to everyone. So there's not this constant connection. You can be hyperconnected, then you can take a break for a couple days and it's fine.
Even in horror novels where you know most characters aren't going to make it to the end, it's crucial to have fully fleshed-out characters. If you don't do that, the reader doesn't care what happens to them.
What I found interesting writing a screenplay as opposed to writing a novel is not the obvious thing, which is having to pare everything down and find the kind of essence, the skeleton if you like, which can then be fleshed out by performance and cinematography.
So much of what I do... is coming up with new characters and trying to invent voices for them, and to have people fully fleshed out in my head and to know who can say what in the scene and who these characters are... I love it.
When you're writing in first person, like I do, you can't give a fluffy version of someone's thoughts because even the most prudish woman in her head will go to dark places, whether she says it out loud, you can still have these kind of thoughts.
When I write a tune - and it's been like this for many years - I always hear in the back of my head some sort of vague, orchestrated, fully fleshed-out big-band version of the song with other parts going on.
When you listen to what entities say, the gradually work their way into your thoughts. After a while you will start thinking their thoughts. You won't know they aren't your thoughts. Soon you will be fully possessed.
There are lots of actors, and you need a way to stand out. Writing comedy sketches was a way of doing that.
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