A Quote by Jaboukie Young-White

Living and performing in New York has allowed me to try my weirder and more experimental things. — © Jaboukie Young-White
Living and performing in New York has allowed me to try my weirder and more experimental things.
I find that I'm quite experimental. I'm drawn to the brighter and weirder things.
And so there I was living in California from Brooklyn, New York, and it was this whole new world for me and I was meeting vegetarians. I thought, let me try this vegetarian thing. I got really into that.
Invent new drugs, that's what you should be doing... fight to get new weirder ones... and weirder establishments to do them in.
Being in New York and having worked at Time Out New York and then being at Time, living in New York for a long time has helped because I know everybody. And they're the people who call me and give me jobs. So that kind of real networking, which is just living in a place and having jobs where people around you are extremely successful, has helped me tremendously.
I can be much more creative with my menus in the casino cities. In New York, there are certain things I can't make. In Las Vegas, they're much more receptive. Rabbit, some seafoods - they won't necessarily do well in New York, but I'll try them in Las Vegas, and they'll be a success.
New York is more exciting, I guess, than even Paris or London. New York's the center of something; I don't know what, really - the center of a lot of things. With all its problems and chaos and craziness, it's still a great place to live. I can't see myself living anywhere else.
As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?
There are so many things to do in New York. I try to get to the theater and see some plays. I have a bicycle over here, and I ride around New York.
The great thing about living in New York is the constant change of things. It inspires me to keep moving, push forward, question ideas. I have a heavy travel schedule so being in a new environment always gives me another perspective to see things from.
I wish more people would be allowed to take risks and try new things and new ideas because new ideas are what this industry desperately needs. I mean, how many shooters can you make?
At the end, we brought her to New York, where I was living, for a series of experimental tortures that increased the misery of her days without increasing the number of them.
When I was living in New York, I tried to make it work for a year, but I didn't really have my own space to be creative. It was really inspiring, but I think that coming to L.A. has allowed me to take a breath.
If you can't write like New York, you have no business living in New York and making New York the locale of your stories.
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
It's funny: I kinda still float under the radar. I'm not tall like a New York Knick; I'm not a heavy, strong New York Giant or New York Jet. I blend in pretty well. A lot of people don't recognize me too many places. More men recognize me than women.
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